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9780190299705

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Beethoven meets media theory in Alexander Rehding's wonderful and expansive account of Symphony No. 9. Taking the symphony's monumental challenges into the 21st century, Rehding offers a novel interpretation based on its recent performance and adaptation history, troubling our most fundamental understandings of music, communication and time in the process. A delightful and surprising read. -Jonathan Sterne, McGill University, author of MP3: The Meaning of a Format

Beethoven meets media theory in Alexander Rehding's wonderful and expansive account of Symphony No. 9. Taking the symphony's monumental challenges into the 21st century, Rehding offers a novel interpretation based on its recent performance and adaptation history, troubling our most fundamental understandings of music, communication and time in the process. A delightful and surprising read. -Jonathan Sterne, McGill University, author of MP3: The Meaning of a Format

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Alexander Rehding is Fanny Peabody Professor of Music at Harvard University. His research interrogates intersections between music theory and history. His publications center on nineteenth-century music and on sound media, including Music and Monumentality (2009). His work has been recognized with a Guggenheim Fellowship and the Dent Medal.

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