Beethoven's Century: Essays on Composers and Themes

Author:   Hugh Macdonald (Customer)
Publisher:   Boydell & Brewer Ltd
Volume:   v. 56
ISBN:  

9781580462754


Pages:   272
Publication Date:   01 June 2008
Format:   Hardback
Availability:   In Print   Availability explained
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Beethoven's Century: Essays on Composers and Themes


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Full Product Details

Author:   Hugh Macdonald (Customer)
Publisher:   Boydell & Brewer Ltd
Imprint:   University of Rochester Press
Volume:   v. 56
Dimensions:   Width: 15.20cm , Height: 2.30cm , Length: 22.90cm
Weight:   0.562kg
ISBN:  

9781580462754


ISBN 10:   1580462758
Pages:   272
Publication Date:   01 June 2008
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

"Beethoven's Game of Cat and Mouse Schubert's Pendulum Paganini, Mendelssohn and Turner in Scotland Berlioz and Schumann Alkan's Instruments Liszt the Conductor Wolf's Adulation of Wagner in the Vienna Press Massenet's Craftsmanship Skryabin's Conquest of Time Janácek's Narratives Raise Your Glass to French Music! Comic Opera Repeats ""G-flat Major, 9/8 Meter"" The Musicians' Arrondissement Les Anglais Dr. Mephistopheles The Prose Libretto 'Un pays où tous sont musiciens...' Modernisms that Failed"

Reviews

The essays are each like a rich dessert and perhaps should not be all consumed at once. NINETEENTH CENTURY MUSIC (Christa Pehl) These are gems in the genre of the literary-musicological essay. . . . Macdonald's wit emerges frequently in this volume. . . . I learned a great deal, and my attention and interest never wavered. A must read for anyone interested in modern French music and musical life. H-FRANCE (Glenn Stanley). Read the full review at http://www.h-france.net/vol9reviews/vol9no120stanley.pdf Gems -- sometimes irreverent, always profound -- from one of the masters in our field. --Michael Beckerman, Professor and Chair of Music, New York University Few writers today can match Hugh Macdonald's breadth and depth of scope. The essays in Beethoven's Century are often cast in the civilized, liberal traditions of the era that they describe. The writing is varied in texture and nourished by fascinating factual details. Macdonald urges us to think afresh, to go against the grain, to take the broader sweep. This book provides answers to questions you knew should be asked but never had the time (or the courage) to pursue. --David Charlton, Professor Emeritus of Music History, Royal Holloway, University of London Macdonald's curiosity is boundless. . . and he satisfies it with unfailing scholarship and wit. . . . He gives the most thorough account yet of Hugo Wolf's complicated critical attitude to Wagner in a musically complicated Vienna. . . Depth of thought and high critical intelligence. . . mark all these essays, and make them an invigorating read. Raise your glass to Hugh Macdonald! OPERA (John Warrack) make them an invigorating read. Raise your glass to Hugh Macdonald! OPERA (John Warrack) The considered judgement of a receptive and immensely well-informed observer of the Western mu


The essays are each like a rich dessert and perhaps should not be all consumed at once. NINETEENTH CENTURY MUSIC (Christa Pehl) These are gems in the genre of the literary-musicological essay. . . . Macdonald's wit emerges frequently in this volume. . . . I learned a great deal, and my attention and interest never wavered. A must read for anyone interested in modern French music and musical life. H-FRANCE (Glenn Stanley). Read the full review at http://www.h-france.net/vol9reviews/vol9no120stanley.pdf Gems -- sometimes irreverent, always profound -- from one of the masters in our field. --Michael Beckerman, Professor and Chair of Music, New York University Few writers today can match Hugh Macdonald's breadth and depth of scope. The essays in Beethoven's Century are often cast in the civilized, liberal traditions of the era that they describe. The writing is varied in texture and nourished by fascinating factual details. Macdonald urges us to think afresh, to go against the grain, to take the broader sweep. This book provides answers to questions you knew should be asked but never had the time (or the courage) to pursue. --David Charlton, Professor Emeritus of Music History, Royal Holloway, University of London Macdonald's curiosity is boundless. . . and he satisfies it with unfailing scholarship and wit. . . . He gives the most thorough account yet of Hugo Wolf's complicated critical attitude to Wagner in a musically complicated Vienna. . . Depth of thought and high critical intelligence. . . mark all these essays, and make them an invigorating read. Raise your glass to Hugh Macdonald! OPERA (John Warrack) The considered judgement of a receptive and immensely well-informed observer of the Western musical landscape of the past two centuries. Times Literary Supplement (Leon Plantinga)


Gems -- sometimes irreverent, always profound -- from one of the masters in our field. --Michael Beckerman, Professor and Chair of Music, New York University Few writers today can match Hugh Macdonald's breadth and depth of scope. The essays in Beethoven's Century are often cast in the civilized, liberal traditions of the era that they describe. The writing is varied in texture and nourished by fascinating factual details. Macdonald urges us to think afresh, to go against the grain, to take the broader sweep. This book provides answers to questions you knew should be asked but never had the time (or the courage) to pursue. --David Charlton, Professor Emeritus of Music History, Royal Holloway, University of London


Author Information

HUGH MACDONALD was the Avis Blewett Professor of Music, Washington University, St Louis from 1987 to 2011. He is the author of many important books, including Beethoven's Century: Essays on Composers and Themes (URP, 2008), Music in 1853: the Biography of a Year (Boydell Press, 2012), and Saint-Saëns and the Stage (CUP, 2019).

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