Beckett's Afterlives: Adaptation, Remediation, Appropriation

Author:   Jonathan Bignell ,  Pim Verhulst ,  Anna McMullan
Publisher:   Manchester University Press
ISBN:  

9781526153791


Pages:   288
Publication Date:   21 February 2023
Format:   Hardback
Availability:   Available To Order   Availability explained
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Beckett's Afterlives: Adaptation, Remediation, Appropriation


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Author:   Jonathan Bignell ,  Pim Verhulst ,  Anna McMullan
Publisher:   Manchester University Press
Imprint:   Manchester University Press
Dimensions:   Width: 15.60cm , Height: 1.70cm , Length: 23.40cm
ISBN:  

9781526153791


ISBN 10:   1526153793
Pages:   288
Publication Date:   21 February 2023
Audience:   General/trade ,  General
Format:   Hardback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Introduction – Pim Verhulst, Anna McMullan and Jonathan Bignell 1 Beckett’s ‘adaphatroce’ revisited: toward a poetics of adaptation – Pim Verhulst 2 Adaptation and convergence: Beckett on Film – Jonathan Bignell 3 ‘Imprecations from the Brighton Road to Foxrock Station’: the effect of place on Mouth on Fire’s stagings of All That Fall – Feargal Whelan 4 Engines of reverence? Beckett, festivals and adaptation – Trish McTighe and Kurt Taroff 5 Passing by, gazing upon: gendered agency in adaptations of Come and Go and Happy Days – Katherine Weiss 6 ‘Last state last version’: adaptation and performance in Gare St Lazare Ireland’s How It Is – Dúnlaith Bird 7 Intermedial embodiments: Company SJ’s staging of Beckett’s Company – Anna McMullan 8 Beckett, neurodiversity and the prosthetic: the posthuman turn in contemporary art – Derval Tubridy 9 Beckett and new media adaptation: from the literary corpus to the transmedia archive – David Houston Jones 10 Opera as adaptation: György Kurtág’s Samuel Beckett: Fin de partie, scènes et monologues – Olga Beloborodova 11 Questioning norms in three Beckettian choreographic projections: Maguy Marin, Dominique Dupuy, Joanna Czajkowska – Evelyne Clavier 12 ‘I’ll give you just enough to keep you from dying’: power dynamics disclosed in Tania Bruguera’s Endgame – Luz María Sánchez Cardona 13 Godot noir: Beckett in black and whiteface – S. E. Gontarski 14 Deferred dreams: waiting for freedom and equality in Nwandu and Beckett – Graley Herren 15 ‘How can you photograph words?’: expanding the Godot universe from adaptation to transmedia storytelling – Luciana Tamas and Eckart Voigts 16 The figure of Beckett in four contemporary novels– Paul Stewart Index -- .

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Author Information

Jonathan Bignell is Professor of Television and Film at the University of Reading. Anna McMullan is Professor Emerita in Theatre at the University of Reading. Pim Verhulst is a Postdoctoral Researcher at the University of Oxford and a Teaching Assistant at the University of Antwerp.

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