Beautiful Agitation: Modern Painting and Politics in Syria

Author:   Anneka Lenssen
Publisher:   University of California Press
ISBN:  

9780520343245


Pages:   296
Publication Date:   29 September 2020
Format:   Hardback
Availability:   Out of stock   Availability explained
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Beautiful Agitation: Modern Painting and Politics in Syria


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Overview

In modern Syria, a contested territory at the intersection of differing regimes of political representation, artists ventured to develop strikingly new kinds of painting to link their images to life forces and agitated energies. Examining the works of artists Kahlil Gibran, Adham Ismail, and Fateh al-Moudarres, Beautiful Agitation explores how painters in Syria activated the mutability of form to rethink relationships of figure to ground, outward appearance to inner presence, and self to world. Drawing on archival materials in Syria and beyond, Anneka Lenssen reveals new trajectories of painterly practice in a twentieth century defined by shifting media technologies, moving populations, and the imposition of violently enforced nation-state borders. The result is a study of Arab modernism that foregrounds rather than occludes efforts to agitate against imposed identities and intersubjective relations.

Full Product Details

Author:   Anneka Lenssen
Publisher:   University of California Press
Imprint:   University of California Press
Dimensions:   Width: 17.80cm , Height: 2.30cm , Length: 25.40cm
Weight:   0.953kg
ISBN:  

9780520343245


ISBN 10:   0520343247
Pages:   296
Publication Date:   29 September 2020
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   Out of stock   Availability explained
The supplier is temporarily out of stock of this item. It will be ordered for you on backorder and shipped when it becomes available.

Table of Contents

Acknowledgments Notes on the Text Introduction  1. Arab Romantics: Kahlil Gibran and the Awakening Storm  2. Colonial Syria: Finding Life within Culture 3. Popular Politics: Adham Ismail and the Aesthetics of Revival 4. National Excavation: Fateh al-Moudarres and the Unholy Image Conclusion Notes Selected Bibliography Illustrations Index

Reviews

Beautiful Agitation is a much-needed contribution to the field of art history, but it is also a serious historical account of a volatile era from which the region is still suffering aftershocks. The book is a must-read for anyone interested in looking beyond the standard definitions of modern art and the traditions of art historical writing. * caa.reviews * Beautiful Agitation operates as an essential act of recuperation, providing precious evidence that modernist narratives need not follow presumptions of originality, exclusive ownership, or authenticity. Certainly, it will prove invaluable to all art historians and art lovers who wish to go below the surface. * H-Net *


"""Beautiful Agitation is a much-needed contribution to the field of art history, but it is also a serious historical account of a volatile era from which the region is still suffering aftershocks. The book is a must-read for anyone interested in looking beyond the standard definitions of modern art and the traditions of art historical writing."" * caa.reviews * ""Beautiful Agitation operates as an essential act of recuperation, providing precious evidence that modernist narratives need not follow presumptions of originality, exclusive ownership, or authenticity. Certainly, it will prove invaluable to all art historians and art lovers who wish to go below the surface."" * H-Net * ""Throughout the book, the close attention to Arabic terms and concepts, the reappraisal of complex international webs of cultural actors, the close reading of the artworks, as well as the thorough historical inquiries of often fluid political situations, situate this study in an inclusive approach and a much-needed rethinking of modernist narratives in the Middle East, and more generally in the field of global art history."" * Journal of Art History *"


Author Information

Anneka Lenssen is Associate Professor of Art History at the University of California, Berkeley.

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