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OverviewThis book gives detailed and authoritative guidance on the mastery of this rewarding instrument. It is a practical manual offering beginner and expert alike a thorough and systematic treatment of every aspect of performance. There are many parts of the body employed in playing the bassoon - abdomen, mouth, tongue, fingers, and not least brain - and are described in turn and their proper use discussed both from a theoretical and practical perspective. Each section is followed by highly original practice routines. There is also advice on maintenance, how to practise, how to teach, and how to cope with the challenges of audition and competition. There are hints given on the performance of concertos by Mozart and Weber, a list of recommended solo repertoire and an extensive bibliography. Full Product DetailsAuthor: William WaterhousePublisher: Kahn & Averill Imprint: Kahn & Averill Dimensions: Width: 13.80cm , Height: 1.80cm , Length: 21.60cm Weight: 0.363kg ISBN: 9781871082685ISBN 10: 1871082684 Pages: 256 Publication Date: 01 January 2006 Audience: College/higher education , General/trade , Undergraduate , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: Awaiting stock ![]() The supplier is currently out of stock of this item. It will be ordered for you and placed on backorder. Once it does come back in stock, we will ship it out for you. Table of ContentsReviewsThis is clearly the work of an experienced, first-class artist and master teacher who generously shares a lifetime of knowledge. Frank Morelli - The Instrumentalist; There can be no-one more qualified than William Waterhouse to write the definitive book on the bassoon. Roger Birnstingl - Double Reed News; ...a book that should find a place in every bassoon teacher's library. Terry B Ewell - The Double Reed Author InformationWilliam Waterhouse studied at the Royal College of Music and played with the orchestra of the Royal Opera House, Covent Garden and later with the London Symphony Orchestra as principal. With these orchestras, he was privileged to work with many legendary artists, and with the Melos Ensemble of London recorded many master-works of the chamber repertoire. He has combined international Guest Professorships with thirty years teaching at the Royal Northern College of Music, Manchester. Tab Content 6Author Website:Countries AvailableAll regions |