|
|
|||
|
||||
OverviewFull Product DetailsAuthor: Amos Badertscher , Tyler CurtainPublisher: Duke University Press Imprint: Duke University Press Dimensions: Width: 29.50cm , Height: 1.40cm , Length: 35.00cm Weight: 1.238kg ISBN: 9780822323686ISBN 10: 0822323680 Pages: 112 Publication Date: 27 May 1999 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviewsBaltimore Portraits is a rich and stark picture of community: as beautiful as it is ugly, as depressing as it is joyful, as lean as it is full. Badertscher's photographs and their scrawling inscriptions are telling stories that we long to hear (or not hear) but rarely get. By picturing the unpictured, by writing the unsaid, our expectations are meaningfully betrayed. (Carol Mavor, author of Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs.) These images of many of the denizens of Baltimore's gay underground in the 1970s are often deeply disturbing. The literal nakedness of many of the subjects provides only a minimal index of how painfully exposed and vulnerable some of them are. I feel grateful to Amos Badertscher for having produced and preserved these images, and to Tyler Curtain for responsive generosity of his vision of them. (Michael Moon, author of A Small Boy and Others: Imitation and Initiation in American Culture from Henry James to Andy Warhol.) Baltimore Portraits is a rich and stark picture of community: as beautiful as it is ugly, as depressing as it is joyful, as lean as it is full. Badertscher's photographs and their scrawling inscriptions are telling stories that we long to hear (or not hear) but rarely get. By picturing the unpictured, by writing the unsaid, our expectations are meaningfully betrayed. (Carol Mavor, author of Pleasures Taken: Performances of Sexuality and Loss in Victorian Photographs.) These images of many of the denizens of Baltimore's gay underground in the 1970s are often deeply disturbing. The literal nakedness of many of the subjects provides only a minimal index of how painfully exposed and vulnerable some of them are. I feel grateful to Amos Badertscher for having produced and preserved these images, and to Tyler Curtain for responsive generosity of his vision of them. (Michael Moon, author of A Small Boy and Others: Imitation and Initiation in American Culture from Henry James to Andy Warhol.) Author InformationAmos Badertscher, a self-taught photographer, has had his work exhibited in numerous solo and group shows in Los Angeles and New York. In 1998, Badertscher, acollection of the artist’s photography was published by St. Martin’s Press. His work is included in several anthologies and is the subject of many published articles. Tyler Curtain is a Visiting Scholar in the English Department at Duke University. Tab Content 6Author Website:Countries AvailableAll regions |
||||