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OverviewMcGee studies historical representation in commodified, popular cinema as expressions of historical truths that more authentic histories usually miss and argues for the political and social significance of mass culture through the interpretation of four recent big-budget movies: Titanic, Gangs of New York, Australia, and Inglourious Basterds . Full Product DetailsAuthor: P. McGeePublisher: Palgrave Macmillan Imprint: Palgrave Macmillan Dimensions: Width: 14.00cm , Height: 1.10cm , Length: 21.60cm Weight: 0.405kg ISBN: 9780230116511ISBN 10: 0230116515 Pages: 209 Publication Date: 15 December 2011 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Hardback Publisher's Status: Active Availability: In Print This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction:Truth, History, and Counterdisciplinary Practices in Film Studies Terrible Beauties: Messianic Time and the Image of Social Redemption inJames Cameron's Titanic Infinite History: Martin Scorsese's Gangs of New York and the Productionof the Inexistent 'No Dreaming, No Story, Nothing': Baz Luhrmann's Australia , theCinematic Common, and Postcolonial Discourse Conclusion:The Glorious Truth about Inglorious History in Quentin Tarantino's Inglourious BasterdsReviewsMcGee exhibits a dazzling knowledge of Hollywood blockbuster films and the quality and significance of his studies are high. --Douglas Kellner, professor, UCLA and author ofCinema Wars """McGee exhibits a dazzling knowledge of Hollywood blockbuster films and the quality and significance of his studies are high."" -Douglas Kellner, professor, UCLA, USA, and author of Cinema Wars" Author InformationPATRICK MCGEEMcElveen Professor of English at Louisiana State University, USA. Tab Content 6Author Website:Countries AvailableAll regions |
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