Overview

In the context of the postdigital age, where technology is increasingly part of our social and political world, Avatars, Activism and Postdigital Performance traces how identity can be created, developed, hijacked, manipulated, sabotaged and explored through performance in postdigital cultures. Considering how technology is reshaping performance, this timely collection reveals how we engage in performance practices through expanded notions of intermediality, knotted networks and layering. This book examines the artist as activist and producer of avatars, and how digital doubles, artificial intelligence and semi-automated politics are problematizing and expanding our discussions of identity. Using a range of examples in theatre, film and internet-based performance practices, chapters examine the uncertain boundaries of networked ‘informational selves’ in mediatized cultures, the impacts of machine algorithms, apps and the consequences of digital legacies. Case studies include James Cameron’s Avatar, Blast Theory’s Karen, Ontroerend Goed’s A Game of You, Randy Rainbow’s online videos, Sisters Grimm’s Calpurnia Descending, Dead Centre’s Lippy and Chekhov’s First Play and Jo Scott’s practice-as-research in ‘place-mixing’. This is an incisive study for scholars, students and practitioners interested in the wider conversations around identity-formation in postdigital cultures.

Full Product Details

Author:   Liam Jarvis (Central School of Speech and Drama, UK) ,  Karen Savage (University of Lincoln, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 14.60cm , Height: 1.60cm , Length: 21.80cm
Weight:   0.380kg
ISBN:  

9781350159310

ISBN 10:   135015931
Pages:   200
Publication Date:   16 December 2021
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

"List of Illustrations Notes on Contributors Introduction: Postdigitality: ""Isn’t it all 'Intermedial'?"" Liam Jarvis, University of Essex, UK, and Karen Savage, University of Lincoln, UK Chapter 1: Avatars, Apes, and the 'Test' of Performance Capture, Ralf Remshardt , University of Florida, USA Chapter 2: Performativity 3.0: Hacking Postdigital Subjectivities, William W. Lewis, Purdue University, USA Chapter 3: Randy Rainbow’s Musical and Social Media Activism: (Digital) Bodyguards and Politicising/Weaponising Audiences, Karen Savage, University of Lincoln, UK Chapter 4: Deepfake-ification: A Postdigital Aesthetics of Wrongness in Deepfakes and Theatrical Shallowfakes Liam Jarvis, University of Essex, UK Chapter 5: The Glitch, The Diva, and Coming Back Out: Aging and Postdigital Identity, Asher Warren, University of Tasmania, Australia Chapter 6: Voicing Identity: Theatre Sound and Precarious Subjectivities, Lynne Kendrick, Royal Central School of Speech and Drama, University of London, UK and Yaron Shylydkrot, University of Sheffield, UK Chapter 7: Postdigital Place-Mixing in the Wild City Jo Scott, University of Salford, UK Index"

Reviews

Starting with Matthew Causey's question 'does an intermedial performance research group need to exist?', this edited collection signals a transition from an 'intermedial' to a 'postdigital' way of thinking. It beautifully 'knots' current debates with diverse practices and expanded notions of 'performance' related to avatars, activism and postdigital identities and aesthetics. -- Christina Papagiannouli, University of South Wales, UK

Author Information

Liam Jarvis is a Senior Lecturer in Theatre at the University of Essex, UK. Karen Savage is Head of the School of Fine & Performing Arts at the University of Lincoln, UK.

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