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OverviewFull Product DetailsAuthor: Patrick FinneyPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.620kg ISBN: 9781138312401ISBN 10: 1138312401 Pages: 188 Publication Date: 25 September 2018 Audience: College/higher education , Tertiary & Higher Education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction 1. Mediated immediacy: constructing authentic testimony in audio-visual media 2. Politics and technologies of authenticity: the Second World War at the close of living memory 3. Doing pasts: authenticity from the reenactors’ perspective 4. ‘Part of the project of that book was not to be authentic’: neo-historical authenticity and its anachronisms in contemporary historical fiction 5. ‘I am two distinct beings’: Paul de Man’s authenticating project 6. The guilt of the past: medievalist closures and disclosures 7. Negotiating accuracy and authenticity in an Aboriginal King Lear 8. Dead history, live art: encountering the past with Stuart Brisley 9. Telling stories: performing authenticity in the confessional art of Tracey EminReviewsAuthor InformationPatrick Finney works in the Department of International Politics at Aberystwyth University, UK. He has research interests in collective memory, especially in relation to the Second World War, and international history, with particular reference to the inter-war years and historiographical issues. He is the UK editor of Rethinking History. Tab Content 6Author Website:Countries AvailableAll regions |