Australian Theatre after the New Wave: Policy, Subsidy and the Alternative Artist

Author:   Julian Meyrick
Publisher:   Brill
Volume:   17
ISBN:  

9789004339880


Pages:   264
Publication Date:   20 October 2017
Format:   Paperback
Availability:   Available To Order   Availability explained
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Australian Theatre after the New Wave: Policy, Subsidy and the Alternative Artist


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Author:   Julian Meyrick
Publisher:   Brill
Imprint:   Brill
Volume:   17
Weight:   0.457kg
ISBN:  

9789004339880


ISBN 10:   9004339884
Pages:   264
Publication Date:   20 October 2017
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

Table of Contents

Preface. Brief History of Australian Theatre Acknowledgements List of Illustrations List of Abbreviations Note on Sources Brief Chronology Introduction   The Whitlam Era   Cultural Subsidy in Australia   Accounting for Australian Theatre: Different Approaches   Badiou and Truth 1 The Origins of Alternative Theatre   Alternative Theatre   Two Moments 2 The Paris Theatre 1978   The Sydney ‘Scene’   The Paris Narrative   The Paris Reviewed   The Meaning of the End 3 The Hunter Valley Theatre Company 1976–1994   Steel City   The Neeme Era   Into the 1980s with Brent McGregor   The Governmentalisation of the Arts   Last Years of the hvtc   The Group of Six   The Meaning of the End 4 Australian Nouveau Theatre 1980–85   The No. 1 Tram   In Search of a Company   ant and the Event of Artaud   Mignon’s Return   ant’s Place in the World 5 Australian Nouveau Theatre 1986–89   From Triumph to Disaster   Chekhov and Beyond: Integrating the New Wave Legacy   Loss of Funding   The Refused Artist Accepted 6 Australian Nouveau Theatre 1990–91   The Ghosts of Emerald Hill   The Company Reborn   The Funding Game 7 Australian Nouveau Theatre 1992–94   The Move to Gasworks Theatre ant, Ruined 8 Australian Nouveau Theatre: The Meaning of the End   Internal Problems   External Problems   The Destruction of Fellowship: ant vs. Playbox   Creative Nation: Culture with the Art Left Out Conclusion   The Logic of Culture: The Fate of the ‘New’   The Post-Whitlam Era   (No) End of an Idea Select Bibliography Interviewees Index

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Julian Meyrick, Ph.D. (2000, La Trobe), is Professor of Creative Arts at Flinders University. Director of many award-winning theatre productions, he is the author of See How It Runs, a history of Sydney’s Nimrod company, and numerous publications on Australian theatre and cultural policy.

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