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OverviewAustralian International Pictures examines the concept and definition of Australian film in relation to a range of local, international and global practices and trends that blur neat categorisations of national cinema. Although international co-production is particularly acute in the present day, this book examines the porous nature of Australian International filmmaking, and the intriguing transnational and cross-cultural formations created by globally targeted but locally focussed films made in Australia in the period 194675. Full Product DetailsAuthor: Adrian Danks (Associate Professor in Cinema Studies and Media, RMIT University) , Constantine Verevis (Associate Professor in Film and Screen Studies, Monash University, Melbourne)Publisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781399541121ISBN 10: 1399541129 Pages: 224 Publication Date: 30 November 2024 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsAcknowledgements 1. Australian International Pictures (1946–75) 2. The Overlanders (1946) and Ealing Down Unde 3. Kangaroo (1952) 4. On the Beach (1959) 5. The Sundowners (1960) 6. The Drifting Avenger (1968) 7. Age of Consent (1969) 8. Color Me Dead (1970) 9. Ned Kelly (1970) 10. Walkabout (1971) 11. Wake in Fright (1971) 12. The Man from Hong Kong (1975) ReferencesReviewsBefore Australian cinema's breakthrough in the early 1980s, visiting filmmakers made important and varied contributions to what Danks and Verevis call 'the imagination of Australia'. The Overlanders, On the Beach, Age of Consent, Ned Kelly and Walkabout are among the international productions here valuably reconsidered from a contemporary Australian perspective. --Ian Christie, Birkbeck College, University of London Offering sharp and smart close-readings of films in Australia through the long post-war period, a moment often understudied and underappreciated (if not downright dismissed), the authors revise, yet also productively revive, conceptions of national cinema through a composite framework nicely attuned to scales of global and local and their necessary interaction. --Dana Polan, New York University Author InformationAdrian Danks is Associate Professor in Cinema Studies and Media at RMIT University. He is also the co-curator of the Melbourne Cinémathèque and the author of many publications including the edited collections A Companion to Robert Altman (2015) and American-Australian Cinema: Transnational Connections (with Stephen Gaunson and Peter Kunze, 2018). Constantine Verevis is Associate Professor in Film and Screen Studies at Monash University, Melbourne. His publications include: Film Remakes (Edinburgh UP, 2006), Transnational Film Remakes (Edinburgh UP, 2017), Film Reboots (Edinburgh UP, 2020), and Flaming Creatures (2020). With Claire Perkins, he is founding co-editor of Screen Serialities (Edinburgh UP). Tab Content 6Author Website:Countries AvailableAll regions |
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