Audio Production Worktext: Concepts, Techniques, and Equipment

Author:   Samuel Sauls (University of North Texas, USA) ,  Craig Stark (Susquehanna University, USA)
Publisher:   Taylor & Francis Ltd
Edition:   10th edition
ISBN:  

9780367640361


Pages:   266
Publication Date:   25 February 2022
Format:   Paperback
Availability:   In Print   Availability explained
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Audio Production Worktext: Concepts, Techniques, and Equipment


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Overview

Now in its tenth edition, the Audio Production Worktext offers a comprehensive introduction to audio production in radio, television, and film. This hands-on, student-friendly text demonstrates how to navigate modern radio production studios and utilize the latest equipment and software. Key chapters address production planning, the use of microphones, audio consoles, and sound production for the visual media. The reader is shown the reality of audio production both within the studio and on location. New to this edition is material covering podcasting, including online storage and distribution. The new edition also includes an updated glossary and appendix on analog and original digital applications, as well as self-study questions and projects that students can use to further enhance their learning. The accompanying instructor website has been refreshed and includes an instructor’s manual and PowerPoint images. This book remains an essential text for audio and media production students seeking a thorough introduction to the field.

Full Product Details

Author:   Samuel Sauls (University of North Texas, USA) ,  Craig Stark (Susquehanna University, USA)
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Edition:   10th edition
Weight:   0.960kg
ISBN:  

9780367640361


ISBN 10:   0367640368
Pages:   266
Publication Date:   25 February 2022
Audience:   College/higher education ,  Tertiary & Higher Education ,  Undergraduate
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

Chapter 1. Production Planning Chapter 2. The Studio Environment Chapter 3. Digital Audio Production Chapter 4. Microphones Chapter 5. The Audio Console. Chapter 6. Podcasting and Sports/Talk Radio Chapter 7. Monitor Speakers and Studio Accessories Chapter 8. Signal Processing and Audio Processors Chapter 9. Production Situations Chapter 10. Location Sound Recording Chapter 11. Sound Production for the Visual Media Chapter 12. Internet Radio and Other Distribution Platforms Glossary Appendix: The World of Analog and Original Digital

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Author Information

Samuel J. Sauls, PhD, retired as Associate Professor from the University of North Texas, USA, in August 2013 after 29 years on the faculty in the Department of Radio, Television, and Film. During his tenure, he also held the roles of Associate Chair and Director of Graduate Studies in the department. From 1984 to 1994 he was the station manager of the university radio station, KNTU-FM. He has a combined total of 18 years’ experience in commercial and noncommercial radio and also worked for four years in Saudi Arabia producing soundtracks in English, Arabic, and French. He has served on the Broadcast Education Association board of directors, was BEA President in 2011–2012, and is a former president of the Texas Association of Broadcast Educators. His first book, The Culture of American College Radio, was published in 2000, and his co-authored book, The Sump’n Else Show, was published in 2014. Dr. Sauls has published some 16 academic articles, made over 65 conference paper and panel presentations, and reviewed over 20 journal articles and 15 books under consideration for publication. He is an adjunct professor in the Department of Communications at Susquehanna University, Pennsylvania, USA. Craig A. Stark, PhD, is Associate Professor, Department Head of Communications, and Coordinator of the Leadership minor program at Susquehanna University, Pennsylvania, USA. He teaches courses in media law, audio production, media theory, intercultural communication, and team communication. He also serves as the faculty advisor for WQSU-FM at Susquehanna University. He has worked and taught in collegiate broadcasting for over 25 years and has worked in commercial production as an announcer, editor, reporter, and engineer. He has been active with the Broadcast Education Association, the Pennsylvania Association of Broadcasters, and the Texas Association of Broadcast Educators. He has published several journal articles and book chapters related to emerging media and HD radio technology.

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