Awards

• Winner of Joint Winner, 2023 Ellen Koskoff Edited Volume Prize, Society for Ethnomusicology.

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9780190932640

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When a needle drops on a record or the play button is pressed the sound issuing forth rests upon massive infrastructural systems in order to exist. Audible Infrastructures brings those infrastructures into focus. It looks less at music than at the technologies music is stored on, the raw materials extracted to make them, and the waste they turn into. Drawing on emergent work on infrastructures and media ecologies the editors have produced a field defining book, one that is effortlessly inventive, and one of the most stimulating I have read in a long time. -- Brian Larkin, Professor of Anthropology, Barnard College Audible Infrastructures primes us to listen for music's resonances far beyond the specific moment and site of audition. This powerful collection articulates how each stream on Spotify, each strum of the guitar, each flip of the LP, each voice raised in protest is networked across time and space to the forests, mines, plantations, power plants, and dumping grounds where music is made material. -- Shannon Mattern, Department of Anthropology, The New School

Audible Infrastructures primes us to listen for music's resonances far beyond the specific moment and site of audition. This powerful collection articulates how each stream on Spotify, each strum of the guitar, each flip of the LP, each voice raised in protest is networked across time and space to the forests, mines, plantations, power plants, and dumping grounds where music is made material. * Shannon Mattern, Department of Anthropology, The New School *

When a needle drops on a record or the play button is pressed the sound issuing forth rests upon massive infrastructural systems in order to exist. Audible Infrastructures brings those infrastructures into focus. It looks less at music than at the technologies music is stored on, the raw materials extracted to make them, and the waste they turn into. Drawing on emergent work on infrastructures and media ecologies the editors have produced a field defining book, one that is effortlessly inventive, and one of the most stimulating I have read in a long time. * Brian Larkin, Professor of Anthropology, Barnard College * Audible Infrastructures primes us to listen for music's resonances far beyond the specific moment and site of audition. This powerful collection articulates how each stream on Spotify, each strum of the guitar, each flip of the LP, each voice raised in protest is networked across time and space to the forests, mines, plantations, power plants, and dumping grounds where music is made material. * Shannon Mattern, Department of Anthropology, The New School *

"""When a needle drops on a record or the play button is pressed the sound issuing forth rests upon massive infrastructural systems in order to exist. Audible Infrastructures brings those infrastructures into focus. It looks less at music than at the technologies music is stored on, the raw materials extracted to make them, and the waste they turn into. Drawing on emergent work on infrastructures and media ecologies the editors have produced a field defining book, one that is effortlessly inventive, and one of the most stimulating I have read in a long time."" -- Brian Larkin, Professor of Anthropology, Barnard College ""Audible Infrastructures primes us to listen for music's resonances far beyond the specific moment and site of audition. This powerful collection articulates how each stream on Spotify, each strum of the guitar, each flip of the LP, each voice raised in protest is networked across time and space to the forests, mines, plantations, power plants, and dumping grounds where music is made material."" -- Shannon Mattern, Department of Anthropology, The New School"

Author Information

Kyle Devine, Associate Professor, Department of Musicology, University of Oslo, Norway, Alexandrine Boudreault-Fournier, Associate Professor of Anthropology, University of Victoria, Canada Kyle Devine is Associate Professor in the Department of Musicology at the University of Oslo, Norway. He is the author of Decomposed: The Political Ecology of Music, which won a Professional and Scholarly Excellence (PROSE) Award from the Association of American Publishers as well as the IASPM Canada Book Prize. Alexandrine Boudreault-Fournier is Associate Professor of Anthropology at the University of Victoria, Canada. She is the author of Aerial Imagination in Cuba: Stories from Above the Rooftops and Editor-in-Chief of the journal Anthropologica. She directed the film Golden Scars, partially funded by the National Film Board of Canada, and codirected the films Guardians of the Night, Fabrik Funk, and The Eagle.

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