Overview

It's 1977, and punk rock has just hit Liverpool. The legendary Eric's club is home to the city's rebels, posers and misfits. It's a place of attitude, adventure and new possibilities, and it changes lives. Some become pop stars; Penny Kiley becomes a music journalist. The story traces Penny's relationship with the music scene from the turbulent political 1980s into the changing culture of the 21st century. Throughout these years, she never stops being a misfit, and the question remains: how do you navigate normal life when punk is dead and you don't know you're autistic? Atypical Girl begins as a coming-of-age story and ends as a midlife reinvention. What unites them is a search for identity and the role that music plays in all our lives. * Featuring encounters with Orchestral Manoeuvres in the Dark, Echo & The Bunnymen, The Teardrop Explodes, Paul McCartney, The Cramps, Jonathan Richman, Tracey Thorn and more.

Full Product Details

9781846976919

Table of Contents

Reviews

'Brian Cox may say that you can’t travel back in time, but Penny Kiley does a damn good job of allowing us to experience the sweat of Liverpool’s punk, post punk and beyond. A satisfying book that shows you just why misfits need music to survive' -- Robin Ince  'Fabulous . . . it really captures a moment that resonates strongly with me' -- Andy McCluskey, Orchestral Manoeuvres in the Dark 'Penny Kiley's adventures in punk and post punk and beyond create a love letter to the narrative that has affected all our lives' -- John Robb 'Penny was a part of the furniture at Eric's, quietly observing, reporting and reviewing. If anyone can paint a true picture of those glorious days she can' -- Will Sergeant, Echo & The Bunnymen '99% of memoirs are scattered with lies. File Atypical Girl in the remaining 1%' -- Bill Drummond, Co-Founder of the KLF, Writer and Musician 'I love this book. I enjoyed every word, found many things that related directly to me and found it spoke to exactly my views on what punk means. It’s also an incredible document of Liverpool' -- Rachel Talalay, Director of Tank Girl and Doctor Who 'A refreshingly feminine take on punk and the tribulations of growing up during an era that was psychologically and culturally disruptive . . . candour and a great deal of wit… loaded with charm’ * Louder Than War * 'A brutally honest journey through punk by a writer with a distinctive voice' -- Stuart Cosgrove 'Penny Kiley charts the ins and outs of life as a rock writer in the 1980s and beyond in an engrossing, personal and vivid memoir' -- David Quantick

 'Fabulous . . . it really captures a moment that resonates strongly with me' -- Andy McCluskey, Orchestral Manoeuvres in the Dark 'Penny Kiley's adventures in punk and post punk and beyond create a love letter to the narrative that has affected all our lives' -- John Robb 'Penny was a part of the furniture at Eric's, quietly observing, reporting and reviewing. If anyone can paint a true picture of those glorious days she can' -- Will Sergeant, Echo & The Bunnymen '99% of memoirs are scattered with lies. File Atypical Girl in the remaining 1%' -- Bill Drummond, Co-Founder of the KLF, Writer and Musician 'I love this book. I enjoyed every word, found many things that related directly to me and found it spoke to exactly my views on what punk means. It’s also an incredible document of Liverpool' -- Rachel Talalay, Director of Tank Girl and Doctor Who 'A refreshingly feminine take on punk and the tribulations of growing up during an era that was psychologically and culturally disruptive . . . candour and a great deal of wit… loaded with charm’ * Louder Than War *

 'Fabulous . . . it really captures a moment that resonates strongly with me' -- Andy McCluskey, Orchestral Manoeuvres in the Dark 'Penny Kiley's adventures in punk and post punk and beyond create a love letter to the narrative that has affected all our lives' -- John Robb * Louder Than War *

Author Information

Born in Kent, Penny Kiley later studied at Liverpool University, where she became immersed in the vibrant late-'70s music and cultural scene.A writer for Melody Maker, Smash Hits and the Liverpool Echo, she enjoyed a successful career at the heart of music journalism.Today, she is based in Oxfordshire, working as adigital content editor, often for non-profits.

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