Overview
The films of Atom Egoyan immerse the viewer in a world of lush sensuality, melancholia, and brooding obsession. From his earliest films Next of Kin and Family Viewing, to his coruscating Exotica and recent projects such as Where the Truth Lies, Egoyan has paid infinite attention to narrative intricacy and psychological complexity. Traumatic loss and its management through ritual return as themes in his films as he explores personal scenarios of mourning and broader issues of genocide, exile, and postmemory, in particular in relation to his own Armenian heritage. In this study, Emma Wilson closely analyzes the range of Egoyan's films and their visual textures, emotional control, and perverse beauty. Offering a full-scale chronological overview of Egoyan's work on films up to and including Where the Truth Lies, Wilson shows the persistence and development of certain structures and themes in Egoyan's cinema: questions of exile and nostalgia, trauma and healing, the family and sexuality. While drawing on ideas about intercultural cinema, Wilson also sets Egoyan's films in the context of contemporary Canadian cinema and European art-house cinema. Egoyan's own comments on his films thread throughout Wilson's analyses, and the book features a recent interview with the director.
Full Product Details
Author: Emma Wilson
Publisher: University of Illinois Press
Imprint: University of Illinois Press
Edition: New edition
Dimensions:
Width: 14.00cm
, Height: 1.80cm
, Length: 21.00cm
Weight: 0.367kg
ISBN: 9780252034305
ISBN 10: 0252034309
Pages: 184
Publication Date: 29 January 2009
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Out of stock
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Reviews
Wilson brings a fresh perspective to Egoyan's work, particularly insofar as gender and sexuality are concerned. Her analysis is elegant, and her writing is beautiful. Required reading for anyone interested in Atom Egoyan. Judith Mayne, author of Claire Denis Wilson writes with clarity and passion and often describes details from the films with such vivid expression that one is moved immediately to want to view or review the film being described (and this surely compensates for any sense of detachment experienced by the reader unfamiliar with his work). This persuasive book brings Egoyan's films vibrantly alive, while at the same time offering compelling, intelligent and thought-provoking analysis. Paul Sutton, Times Higher Education, 24th September 2009
Author Information
Emma Wilson is a reader in contemporary French literature and film at the University of Cambridge and a fellow of Corpus Christi College. Her publications include Alain Resnais and Cinema's Missing Children.
