Overview

Films such as ""The Adjuster"", ""Calendar"" and ""Speaking Parts"" established Canadian Armenian director Atom Egoyan as a leading contender for being the worlds most alluring post-modern filmmaker. In these and other films the distortions and perversions of the self are mirrored through an omnipresent (and sexualised) visual media culture. Through the filter of a compassionate detachment his work is an unparalleled probing of identity and alienation, sexuality and dysfunction, psychology and subjectivity. Critic Jonathan Romney traces Egoyan's career, film by film - from his early shorts, through the video-themed features that made his name, to his emergence as prize-winning A list auteur with ""The Sweet Hereafter"" and the wider canvasses of his most recent films ""Felicia's Journey"" and ""Ararat"". The author shows how films such as Egoyan's ""Exotica"" (set in a strip club and structured like a striptease) offer their viewers rich, almost inexhaustibly complex pleasures and demonstrate the craft of one of contemporary cinema's most provocative auteurs.

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Author Information

Jonathan Romney is Film Critic of the Independent on Sunday and regular contributor to Sight and Sound and Film Comment. He is the author of Short Orders, a book of collected criticism, and co-editor of Celluloid Jukebox (BFI), a survey of popular music and the movies.

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