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OverviewFull Product DetailsAuthor: Sarah Cole (Professor of English and Comparative Literature, Professor of English and Comparative Literature, Columbia University)Publisher: Oxford University Press Inc Imprint: Oxford University Press Inc Dimensions: Width: 23.60cm , Height: 3.80cm , Length: 15.50cm Weight: 0.590kg ISBN: 9780195389616ISBN 10: 0195389611 Pages: 400 Publication Date: 29 November 2012 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: To order ![]() Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us. Table of ContentsSeries Editors' Foreword Acknowledgements Introduction Violence and Form Power, Force, Political Violence Confronting War, Imagining History Chapters 1. Enchanted and Disenchanted Violence The Waste Land 2. Dynamic Violence: From Melodrama to Menace Imagining Revolutionaries and their Acts Explosion and Melodrama: The Secret Agents Dynamite and the Future 3. Cyclical Violence: The Irish Insurrection and the Limits of Enchantment The Long Past: Keening The Rising: Generative Violence The Years of War: Reprisal Past, Present, Future: Architectural Allegory 4. Patterns of Violence: Virginia Woolf in the 1930s Theorizing Violence in the 1930s The Spanish Civil War Action and Pacifism Virginia Woolf Early Patterns: The Voyage Out The 1920s: Jacob's Room, Mrs. Dalloway, To the Lighthouse Overwhelming Force: The Years, Three Guineas, Between the Acts Conclusion Notes Works Cited IndexReviews<br> At the Violet Hour persuasively outlines the intellectual culture of violence over the long turn of the century and powerfully demonstrates the imaginative motives and aesthetic consequences of the modernist immersion in it. Sarah Cole reveals the complexities of this literary engagement through readings equally subtle and bold, and in doing so she opens rich and compelling understandings of the historicity of modernist art. --Vincent Sherry, author of 6IThe Great War and the Language of Modernism<p><br> At the Violet Hour is a major contribution to modernist studies. It establishes the encounter with violence and bodily violation as the 'nerve center' of literary creation in a way that will make readers re-think the late nineteenth and early twentieth-century western canon. --Mark Hussey, editor of Virginia Woolf and War<p><br> Attentive to the variety as well as the centrality of violence's apparitions in literary modernism, this is at once a meticulous history, a groundbreaking taxonomy, and a voyage of reading in which one is fortunate to have a fearlessly subtle critic for one's guide. It's also a very beautiful and moving book. Cole everywhere keeps faith with the care for form that, as she shows, governed modernism's taking of greatness with violence. --Douglas Mao, author of Fateful Beauty<p><br> Cole's well-written, formidably researched book is a treasure trove of incisive readings that will surely become a classic ... Highly recommended. * D. Stuber, CHOICE * At the Violet Hour is also striking in terms of what it leaves out: a full-scale exploration of the Great War, arguably the defining event in the concatenation of modernism and violence. * Paul Sheehan, Review of English Studies * Cole's close readings of violence in the work of some of the major modernists are superb. * Lauren Arrington, The Times Literary Supplement * <br> At the Violet Hour persuasively outlines the intellectual culture of violence over the long turn of the century and powerfully demonstrates the imaginative motives and aesthetic consequences of the modernist immersion in it. Sarah Cole reveals the complexities of this literary engagement through readings equally subtle and bold, and in doing so she opens rich and compelling understandings of the historicity of modernist art. --Vincent Sherry, author of 6IThe Great War and the Language of Modernism<p><br> At the Violet Hour is a major contribution to modernist studies. It establishes the encounter with violence and bodily violation as the 'nerve center' of literary creation in a way that will make readers re-think the late nineteenth and early twentieth-century western canon. --Mark Hussey, editor of Virginia Woolf and War<p><br> Attentive to the variety as well as the centrality of violence's apparitions in literary modernism, this is at once a meticulous history, a groundbreaking taxonomy, and a voyage of reading in which one is fortunate to have a fearlessly subtle critic for one's guide. It's also a very beautiful and moving book. Cole everywhere keeps faith with the care for form that, as she shows, governed modernism's taking of greatness with violence. --Douglas Mao, author of Fateful Beauty<p><br> [A] magisterial study....Expansive, ambitious. --Woolf Studies Annual<p><br> Cole's close readings of violence in the work of some of the major modernists are superb. Lauren Arrington, The Times Literary Supplement Author InformationSarah Cole is Professor of English and Comparative Literature at Columbia University and the author of Modernism, Male Friendship, and the First World War. Tab Content 6Author Website:Countries AvailableAll regions |