Overview

An exploration of the impact of immersive experiences on visual practices from cave painting to virtual reality In this groundbreaking book, philosopher Andrea Pinotti explores the impacts of a desire that has motivated human beings since prehistory: the desire to enter an image. He proposes that over the centuries, every culture has tried to realize this wish with whatever visual resources were available at the time, and today's virtual reality technologies seem close to fulfilling it. The image in VR becomes an immersive 360-degree environment and the frame that used to confine it to a world apart disappears. Even the physical medium in which the image materializes appears to be transparent. However, Pinotti insists that once the border between the real world and the iconic world becomes permeable, we are faced with a troubling two-way passage: we penetrate the world of the image, but the image floods into our world. The desire for being encompassed by the image, he shows, is accompanied by fear of this overflowing. In its analysis of this desire/fear, At the Threshold of the Image takes the reader on an extraordinary journey from the myths of Narcissus and Pygmalion to contemporary VR headsets, passing through the pictorial traditions of trompe l'oeil and living sculptures, the mirrors in Alice in Wonderland, illusionistic architecture, panoramas and phantasmagorias, and 3D cinema.

Full Product Details

9781945861024

Table of Contents

Reviews

""Fascinating and rangy. . . . It is our appetite for feeling, for navigating, for discovery, and for conquest that leads us not only to create works of unreality—which expand and multiply our reality—but also to long for the real potentials of those unrealities. History evinces that standing at a threshold never means turning back, it means forging on. Even if, as Pinotti so artfully and expertly illustrates, we have to invent somewhere to go.""---Xiao Yue Shan, Asymptote ""One of the many pleasures of this book is the manner in which the author examines the consequences of the primal desire of human beings to enter an image, not just to observe or even be absorbed by its potential beauty or powers but to actually erase the boundary between ourselves and the image we so admire that we want to occupy it totally, to live in it.""---Donald Brackett, Embodied Meanings

""Fascinating and rangy. . . . It is our appetite for feeling, for navigating, for discovery, and for conquest that leads us not only to create works of unreality—which expand and multiply our reality—but also to long for the real potentials of those unrealities. History evinces that standing at a threshold never means turning back, it means forging on. Even if, as Pinotti so artfully and expertly illustrates, we have to invent somewhere to go.""---Xiao Yue Shan, Asymptote

Author Information

Andrea Pinotti is Professor of Aesthetics at the University of Milan. He is author of Empathie: Histoire d'une idee de Platon au post-humain and Nonumento: Un paradosso della memoria.

Tab Content 6

Countries Available