Overview

Teddy Roosevelt once exclaimed, When I am in California, I am not in the West. I am west of the West, and in this book, Mark Arax spends four years travelling up and down the Golden State to explore its singular place in the world. This is California beyond the clichs. This is California as only a native son, deep in the dust, could draw it. Compelling, lyrical, and ominous, his new collection finds a different drama rising out of each confounding landscape. The Summer of the Death of Hilario Guzman has been praised as a stunningly intimate portrait of one immigrant family from Oaxaca, through harrowing border crossings and brutal raisin harvests. Down the road in the Home Front, right-wing Christians and Jews form a strange pact that tries to silence debate on the War on Terror, and a conflicted father loses not one but two sons in Iraq. The Last Okie in Lamont, the inspiration for the town in the Grapes of Wrath, has but one Okie left, who tells Arax his life story as he drives to a funeral to bury one more Dust Bowl migrant. The Highlands of Humboldt is a journey to marijuana growing capital of the U. S. , where the old hippies are battling the new hippies over pollution pot and the local bank collects a mountain of cash each day, much of it redolent of cannabis. Arax pieces together the murder-suicide at the heart of a rotisserie chicken empire in The Legend of Zankou, a story included in the Best American Crime Reporting 2009. And, in the end, he provides a moving epilogue to the murder of his own father, a crime in the California heartland finally solved after thirty years. In the finest tradition of Joan Didion, Arax combines journalism, essay, and memoir to capture social upheaval as well as the sense of being rooted in a community. Piece by piece, the stories become a whole, a stunning panorama of California, and America, in a new century.

Full Product Details

9781586483906

Table of Contents

Reviews

Publishers Weekly, starred review, February 25, 2009<br> These swift, penetrating essays from former Los Angeles Times writer Arax ( In My Father's Name ) take the measure of contemporary California with a sure and supple hand, consciously but deservedly taking its place alongside Didion's and Saroyan's great social portraits. Expect the unexpected from Arax's reports up and down the state: on the last of the Okies, the latest migrants from Mexico, the tree-sitters of Berkeley, Bay Area conspiracy theorists, an Armenian chicken giant's infamous fall or the mammoth marijuana economy of Humboldt County, among much else. For Arax, a third-generation Californian of Armenian heritage who spent years covering the Central Valley as an investigative reporter, the state's outre reputation and self-representation are a complex dance of myth and memory that includes his own family lore and personal history. It's partly this personal connection, running subtly but consistently throughout, that

Carolyn See, Making a Literary Life <br> Mark Arax has achieved something truly wonderful. He shows us a California we don't know or haven't yet heard about: Post 9/11 racism and craziness in the Central Valley; dunderhead FBI agents prowling the land; the plight of immigrants as it really pans out; marijuana moguls dealing in stacks of cash that stinks of weed; the disgraceful decline of the once-great LA Times --all of it set in the larger frame of a generation of Armenian immigrants tied to the old country, in love with the new country, struggling to discover the meaning of life with all their might. <br> <p><br> Kirkus <br> A lucid, warts-and-all portrait of California by a native son....[W]orthy of a place alongside the works of ... Carey McWilliams and even Joan Didion. <br> <p><br> James Ellroy, author of The Black Dahlia and the forthcoming Blood's a Rover <br> West of the West is a dreamscape as much as a landscape--and heart-stirring in its style and acute perception. It could be titled 'Why We Live Here Anyway'--I exhort you to read this book. <br> <p><br> Jack Miles, author of God: A Biography <br> I intended to spend half an hour and spent half a day. This is that kind of book. You think you know California? Think again, and settle in.

Publishers Weekly , starred review, February 25, 2009 These swift, penetrating essays from former Los Angeles Times writer Arax ( In My Father's Name ) take the measure of contemporary California with a sure and supple hand, consciously but deservedly taking its place alongside Didion's and Saroyan's great social portraits. Expect the unexpected from Arax's reports up and down the state: on the last of the Okies, the latest migrants from Mexico, the tree-sitters of Berkeley, Bay Area conspiracy theorists, an Armenian chicken giant's infamous fall or the mammoth marijuana economy of Humboldt County, among much else. For Arax, a third-generation Californian of Armenian heritage who spent years covering the Central Valley as an investigative reporter, the state's outre reputation and self-representation are a complex dance of myth and memory that includes his own family lore and personal history. It's partly this personal connection, running subtly but consistently throughout, that pushes the collection past mere reportage to a high literary enterprise that beautifully integrates the private and idiosyncratic with the sweep of great historical forces.Carolyn See, Making a Literary Life Mark Arax has achieved something truly wonderful. He shows us a California we don't know or haven't yet heard about: Post 9/11 racism and craziness in the Central Valley; dunderhead FBI agents prowling the land; the plight of immigrants as it really pans out; marijuana moguls dealing in stacks of cash that stinks of weed; the disgraceful decline of the once-great LA Times --all of it set in the larger frame of a generation of Armenian immigrants tied to the old country, in love with the new country, struggling to discover the meaning of life with all their might. Kirkus A lucid, warts-and-all portrait of California by a native son....[W]orthy of a place alongside the works of ... Carey McWilliams and even Joan Didion. James Ellroy, author of The Black

A lucid, warts-and-all portrait of California by a native son.Arax (Nonfiction Writing/Claremont McKenna Coll.; The King of California: J.G. Boswell and the Making of a Secret American Empire, 2003, etc.) embarks on a sometimes ominous tour that, he warns, is on a road trenched by 9/11 and the War on Terror and the anomie of the digital age and the greatest financial collapse since the Great Depression. He finds stories to tell about all those things, beginning with his grandfather, who was a migrant fruit picker, a farmer, a grocer, a communist, a capitalist, an atheist, a believer - in other words, a consummate Californian. Arax is less admiring of another agriculturist, the classicist and neoconservative Victor Davis Hanson, a raisin farmer whose family had worked the same piece of dirt since 1872 [and who] had become the hawk of the month for the Bush administration. Another character whom Arax mentions in passing drove his tractor into the Pacific Ocean by way of protesting tax policies - and who had five wives, white, black and Latina. The author explores the Okie migration and its latter-day reflection in the influx of fieldworkers from Mexico, such as one Oaxacan who worked hard for nine years and had accumulated a couple of beat-up vehicles to park in the dirt path that led from the vineyard to the three-room shack that cost him $400 a month to rent. That shack is within sight of gleaming palaces, to say nothing of INS databases - yet more parts of the California story.In the library of Californiana, worthy of a place alongside the works of Bill Barich, Carey McWilliams and even Joan Didion. (Kirkus Reviews)

Publishers Weekly , starred review, February 25, 2009<br> These swift, penetrating essays from former Los Angeles Times writer Arax ( In My Father's Name ) take the measure of contemporary California with a sure and supple hand, consciously but deservedly taking its place alongside Didion's and Saroyan's great social portraits. Expect the unexpected from Arax's reports up and down the state: on the last of the Okies, the latest migrants from Mexico, the tree-sitters of Berkeley, Bay Area conspiracy theorists, an Armenian chicken giant's infamous fall or the mammoth marijuana economy of Humboldt County, among much else. For Arax, a third-generation Californian of Armenian heritage who spent years covering the Central Valley as an investigative reporter, the state's outre reputation and self-representation are a complex dance of myth and memory that includes his own family lore and personal history. It's partly this personal connection, running subtly but consistently throughout, that pushes the collection past mere reportage to a high literary enterprise that beautifully integrates the private and idiosyncratic with the sweep of great historical forces.<br><p>Carolyn See, Making a Literary Life <br> Mark Arax has achieved something truly wonderful. He shows us a California we don't know or haven't yet heard about: Post 9/11 racism and craziness in the Central Valley; dunderhead FBI agents prowling the land; the plight of immigrants as it really pans out; marijuana moguls dealing in stacks of cash that stinks of weed; the disgraceful decline of the once-great LA Times --all of it set in the larger frame of a generation of Armenian immigrants tied to the old country, in love with the new country, struggling to discover the meaning of life with all their might. <p> Kirkus <br> A lucid, warts-and-all portrait of California by a native son....[W]orthy of a place alongside the works of ... Carey McWilliams and even Joan Didion. <p>James Ellroy, author of The Black

Author Information

Award-winning author and journalist Mark Arax is a co-author of The King of California and author of In My Father's Name. He is a contributing writer at Los Angeles magazine and a former senior writer at the Los Angeles Times. He teaches nonfiction writing at Claremont McKenna College and lives in Fresno.

Tab Content 6

Customer Reviews

Recent Reviews

Countries Available