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OverviewFull Product DetailsAuthor: Shawn Michelle SmithPublisher: Duke University Press Imprint: Duke University Press Dimensions: Width: 15.20cm , Height: 1.80cm , Length: 22.90cm Weight: 0.522kg ISBN: 9780822355021ISBN 10: 0822355027 Pages: 277 Publication Date: 04 November 2013 Audience: College/higher education , Postgraduate, Research & Scholarly Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations ix Acknowledgments xv Introduction. First Photographs 1 — Excess and Accident 21 1. Race and Reproduction in Camera Lucida 23 2. The Politics of Pictorialism: Another Look at F. Holland Day 39 — My Muybridge 73 3. The Space Between: Eadweard Muybridge's Motion Studies 75 4. Preparing the Way for the Train: Andrew J. Russell 99 — When the Train Rolls In 129 5. Chansonetta Stanley Emmons's Nostalgic Views 131 6. Augustus Washington and the Civil Contract of Photography 165 — In the Crowd 193 7. Afterimages: Abu Ghraib 195 — Untitled (Abu Graib) 213 Epilogue. A Parting Glance 215 Notes 217 Bibliography 265 Index 283ReviewsShawn Michelle Smith is our foremost scholar of nineteenth- and early-twentieth-century American photography. In this book, she engages with Benjamin's notion of the optical unconscious to think through what's at the 'edge of sight' in the work of photographers and theorists, an approach that allows her to bring together, successfully, a wide range of insights and political formations. --Elspeth Brown, author of The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884-1929 Author InformationShawn Michelle Smith is Associate Professor of Visual and Critical Studies at the School of the Art Institute of Chicago. She is the author of Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture (also published by Duke University Press) and American Archives: Gender, Race, and Class in Visual Culture; coauthor of Lynching Photographs; and coeditor of Pictures and Progress: Early Photography and the Making of African American Identity (also published by Duke University Press). Tab Content 6Author Website:Countries AvailableAll regions |