Overview

This book examines the meanings, uses, and agency of voice, noise, sound, and sound technologies across Asia. Including a series of wide-ranging and interdisciplinary case studies, the book reveals sound as central to the experience of modernity in Asia and as essential to the understanding of the historical processes of cultural, social, political, and economic transformation throughout the long twentieth century. Presenting a broad range of topics – from the changing sounds of the Kyoto kimono making industry to radio in late colonial India – the book explores how the study of Asian sound cultures offers greater insight into historical accounts of local and global transformation. Challenging us to rethink and reassemble important categories in sound studies, this book will be a vital resource for students and scholars of sound studies, Asian studies, history, postcolonial studies, and media studies.

Full Product Details

Author:   Iris Haukamp ,  Christin Hoene ,  Martyn Smith
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.453kg
ISBN:  

9780367698911

ISBN 10:   0367698919
Pages:   294
Publication Date:   22 August 2022
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Part 1: The politics of voice 1. The phonographic politics of ‘corporeal voice’: Speech recordings for imperial subjectification and wartime mobilization in colonial Taiwan and Korea 2. In dark times: Poetic dissonance in the Thai-Malay borderlands 3. Sonic aesthetics and social disparity: The voice of villains in Ryoo Seung-wan’s Veteran (2015) and The Unjust (2010) Part 2: Modern noise 4. Aesthetic ruptures and sociabilities: Tateyama Noboru (1876–1926), quotidian noise, and sōkyoku-jiuta 5. The ‘hell of modern sound’: A history of urban noise in modern Japan 6. Feel the power of my exoticism: Japanese noise music and claims of a distinct Japanese sound Part 3: Sound and power 7. Listening to the talkies: Atarashiki tsuchi’s (1937) acoustic construction of Japan for western consumption 8. Recovering the lost Cantonese sounds in pre-handover Hong Kong: Sinophone politics in Dung Kai-cheung’s ‘The Rise and Fall of Wing Shing Street’ (1995) 9. When the looms stop, the baby cries: The changing sounds of the Kyoto kimono-making industry Part 4: Technology and imperialism 10. Early radio in late colonial India: Historiography, geography, audiences 11. (Re) Diffusion of beautiful sound: Chinese broadcast in post-war Bangkok 12. Arranging sounds from daily life: Amateur sound-recording contests and audio culture in Japan in the 1960s and 1970s 13. The dual fate of the twin horn in Thailand: From United States anti-communist weapon to the Phetchabun processional bands’ sound system

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Author Information

Iris Haukamp is Associate Professor in Japanese Film at Tokyo University of Foreign Studies, Japan. Christin Hoene is Assistant Professor in Literary Studies at Maastricht University, Netherlands. Martyn David Smith is a historian of modern and contemporary Japan and Lecturer in Japanese Studies at the University of Sheffield, UK.

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