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9781474482431

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Framed around the global history of asbestos, Rose uses literary texts, tropes, characters and creators to deepen our understanding of a culture of asbestos in new and often surprising ways. Rose's multidisciplinary approach shows how deeply culturally-embedded the mineral was - and remains - through his sophisticated and innovative scholarship. --Jessica van Horssen, Leeds Beckett University This surprising and original history of asbestos offers a compelling investigation of the material as a modernist object. The book shows us what literary criticism can do differently in attending to material life, giving us accounts of various historical, literary, and biographical accounts of literary figures' encounters with asbestos, but also a reckoning with a family history of South African asbestos mining. [...] Rose shows how paying extraordinarily minute literary critical attention to one single material - its history, its associations, its rich potential for narrative - can cast light on swathes of cultural history; Asbestos - The Last Modernist Object offers a fascinating movement between medical, personal and literary spaces.--MSA Book Prize

Author Information

Arthur Rose is a Senior Research Fellow at the University of Exeter. He is the author of Literary Cynics: Borges, Beckett, Coetzee (Bloomsbury, 2017), and a co-editor of Theories of History (Bloomsbury 2018) and Reading Breath in Literature (Palgrave 2019).

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