Awards

• Winner of Winner of the International Center for Medieval Art Annual Book Prize.
• Winner of Winner of the International Center of Medieval Art Annual Book Prize.
• Winner of Winner of the Medieval Academy of America 2021 Karen Gould Prize in Art History Winner of the International Center of Medieval Art Annual Book Prize.

Overview

The art of the object reached unparalleled heights in the medieval Islamic world, yet the intellectual dimensions of ceramics, metalwares, and other plastic arts in this milieu have not always been acknowledged. Arts of Allusion reveals the object as a crucial site where pre-modern craftsmen of the eastern Mediterranean and Persianate realms engaged in fertile dialogue with poetry, literature, painting, and, perhaps most strikingly, architecture. Lanterns fashioned after miniature shrines, incense burners in the form of domed monuments, earthenware jars articulated with arches and windows, inkwells that allude to tents: through close studies of objects from the ninth to the thirteenth centuries, this book reveals that allusions to architecture abound across media in the portable arts of the medieval Islamic world. Arts of Allusion draws upon a broad range of material evidence as well as medieval texts to locate its subjects in a cultural landscape where the material, visual, and verbal realms were intertwined. Moving far beyond the initial identification of architectural types with their miniature counterparts in the plastic arts, Margaret Graves develops a series of new frameworks for exploring the intelligent art of the allusive object. These address materiality, representation, and perception, and examine contemporary literary and poetic paradigms of metaphor, description, and indirect reference as tools for approaching the plastic arts. Arguing for the role of the intellect in the applied arts and for the communicative potential of ornament, Arts of Allusion asserts the reinstatement of craftsmanship into Islamic intellectual history.

Full Product Details

9780190695910

Table of Contents

Reviews

Exploring analogies between portable objects and monumental architecture, this innovative and beautifully-written book offers new perspectives on ornament, poetics, and visual perception in the medieval Islamic world. It combines formal analysis with the study of primary sources to argue convincingly for the need to acknowledge intersections between artisanal activity and contemporary intellectual currents as intrinsic to the making of Islamic art. -- Finbarr Barry Flood, William R. Kenan, Jr. Professor of the Humanities and Director of Silsila: Center for Material Histories, New York University This is a groundbreaking study on the reciprocities between the plastic arts and monumental architecture of the medieval Middle East. Margaret Graves is to be congratulated for having revealed the multiple and variable meanings of the allusive relationships between objects and buildings in the Islamic world. By showing how philosophy, theology, science and literature were integrated into the design, production, and perception of the artworks presented, she offers an important contribution to Islamic intellectual, social, and art history. -- Gerhard Jaritz, Professor of Medieval Studies, Central European University At last, the book that this subject most needs: an intelligent and learned study which takes our understanding of the Islamic art object far beyond the usual simplistic 'symbolic interpretation' of their ornament. To truly experience mediaeval objects we have to engage with all the physical and intellectual processes of making: not just what they 'look like', but how they engage with all the senses, and how it is above all in reference to architecture, to literature and to philosophy that their power and meaning are to be found. -- Oliver Watson, I.M. Pei Professor of Islamic Art and Architecture, Oxford University

At last, the book that this subject most needs: an intelligent and learned study which takes our understanding of the Islamic art object far beyond the usual simplistic 'symbolic interpretation' of their ornament. To truly experience mediaeval objects we have to engage with all the physical and intellectual processes of making: not just what they 'look like', but how they engage with all the senses, and how it is above all in reference to architecture, to literature and to philosophy that their power and meaning are to be found. * Oliver Watson, I.M. Pei Professor of Islamic Art and Architecture, Oxford University * This is a groundbreaking study on the reciprocities between the plastic arts and monumental architecture of the medieval Middle East. Margaret Graves is to be congratulated for having revealed the multiple and variable meanings of the allusive relationships between objects and buildings in the Islamic world. By showing how philosophy, theology, science and literature were integrated into the design, production, and perception of the artworks presented, she offers an important contribution to Islamic intellectual, social, and art history. * Gerhard Jaritz, Professor of Medieval Studies, Central European University * Exploring analogies between portable objects and monumental architecture, this innovative and beautifully-written book offers new perspectives on ornament, poetics, and visual perception in the medieval Islamic world. It combines formal analysis with the study of primary sources to argue convincingly for the need to acknowledge intersections between artisanal activity and contemporary intellectual currents as intrinsic to the making of Islamic art. * Finbarr Barry Flood, William R. Kenan, Jr. Professor of the Humanities and Director of Silsila: Center for Material Histories, New York University *

Author Information

Margaret S. Graves is Assistant Professor of Art History at Indiana University.

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