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9781594514654

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This striking book takes as its point of departure certain views on the end of art, expressed in the mid-1980s by myself and Hans Belting, but it very quickly steers into undercharted seas. Centrally interested in museums and international relations, the author demonstrates, through vivid examples, how international relations inflects the mission of various museums and hence the ways their visitors experience the art they display. Christine Sylvester creates a vision of art, museum, and international relations as a complex of powers that moves the world today, and argues that we cannot understand the world or ourselves without taking this into account. --Arthur C. Danto, Johnsonian Professor Emeritus Philosophy, Columbia University This is an excellent introduction to the politics of major museums. Sylvester brings the methodology and interests of international relations to bear on a subject that is usually considered from within the art world. This book aims at more than an invigorating cross-pollination of academic disciplines. If given to every museum visitor and arts journalist, this book could change the reasons people go to museums. It would be possible, finally, to have a public conversation about the ways museums shape national and ethnic identity, project leadership, propose cosmopolitanism, and deflect explicit claims of superiority. Instead of the usual stories of scandal, theft, repatriation, and the usual gossip about directors and 'starchitects,' the media would begin to discuss how we use museums for all sorts of crucial nation building. -James Elkins, School of the Art Institute of Chicago Art/Museums is a book that unites antimonies. What possible relation could the power-seeking, violence, diplomacy, and conflict endemic to global politics have to art, or to the cultural exhibition of the museum? More than we think, answers Christine Sylvester in her inimitable, genre-rending style. From Iraq to Greece, this stylish and important book reveals hidden contours to the global that deserve our attention. -Anthony Burke, University of New South Wales Christine Sylvester's Art/Museums: International Relations Where We Least Expect It provides eye-opening and thought-provoking perspectives that force us to rethink the politics of art, museums, and international relations for today, yesterday, and tomorrow. -Timothy W. Luke, University Distinguished Professor, Virginia Polytechnic Institute and State University

Author Information

Christine Sylvester is Professor in the Institute of Women's Studies at Lancaster University in England and author of numerous books including most recently Feminist Theory and International Relations in a Postmodern Era and Feminist International Relations: An Unfinished Journey, both in the Cambridge Studies in International Relations series.Christine Sylvester enjoys a career of diverse academic specializations and countries of residence. Trained in international relations in the United States, she has held regular positions in departments of political science (USA), development administration (Australia), women, gender, and development (The Netherlands), women's studies (UK) and now politics/international relations at Lancaster University, UK. Through her research and development activities, she also spends time in Zimbabwe, Kenya, Lesotho, Korea, Japan, Thailand, and Indonesia. Each location contributes something to an enduring and special interest in art/museums and the international.

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