Overview
This volume explores the issue of collaboration: an issue at the centre of Performance Arts Research. It is explored here through the different practices in music, dance, drama, fine art, installation art, digital media or other performance arts. Collaborative processes are seen to develop as it occurs between academic researchers in the creative arts and professional practitioners in commercial organisations in the creative arts industries (and beyond), as well as focusing attention and understanding on the tacit/implicit dimensions of working across different media.
Full Product Details
Author: Martin Blain ,
Helen Julia Minors
Publisher: Springer Nature Switzerland AG
Imprint: Springer Nature Switzerland AG
Edition: 1st ed. 2020
Weight: 0.519kg
ISBN: 9783030385989
ISBN 10: 3030385981
Pages: 270
Publication Date: 14 July 2020
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: Manufactured on demand
We will order this item for you from a manufactured on demand supplier.
Reviews
This is a wide-ranging and practically useful contribution to the existing literature on artistic research, and it is welcome to see researchers putting collaborative research under the spotlight, rather than uncritically embracing it as a universally good thing. As well as manifold opportunities, there are challenges, limitations, and risks of undertaking collaborative practice, which the essays gathered in this book do well to address. (Jacob Thompson-Bell, Leonardo, leonardo.info, August, 2022)
“This is a wide-ranging and practically useful contribution to the existing literature on artistic research, and it is welcome to see researchers putting collaborative research under the spotlight, rather than uncritically embracing it as a universally good thing. As well as manifold opportunities, there are challenges, limitations, and risks of undertaking collaborative practice, which the essays gathered in this book do well to address.” (Jacob Thompson-Bell, Leonardo, leonardo.info, August, 2022)
Author Information
Martin Blain is a Reader in Music Composition at Manchester Metropolitan University. He is a composer and performer and collaborator on the project The Good, The God and The Guillotine. He has published on collaboration, ‘liveness’ in performance, and Practice as Research in a variety of journals and book publications. Helen Julia Minors is School Head of Performing Arts and Associate Professor of Music at Kingston University, London, UK. She has published books including Music, Text and Translation (2012) and Paul Dukas: Legacies of a French Musician (2019), co-edited with Laura Watson. She has recently contributed chapters to The International Handbook of Intercultural Arts Research (2016) and Translation and Multimodality: Beyond Words (2019)
