The Artistic Links Between William Shakespeare and Sir Thomas More: Radically Different Richards

Author:   C. Hallett ,  Elaine S. Hallett
Publisher:   Palgrave Macmillan
ISBN:  

9780230113671


Pages:   293
Publication Date:   26 September 2011
Format:   Hardback
Availability:   In Print   Availability explained
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The Artistic Links Between William Shakespeare and Sir Thomas More: Radically Different Richards


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Overview

The Halletts' investigation differs from anything that has been written about the relationship between Thomas More and William Shakespeare in that it approaches the subject from a dramaturgical point of view. This book defines, in specific terms, what Shakespeare learned from his study of More's History  and how he learned it. 

Full Product Details

Author:   C. Hallett ,  Elaine S. Hallett
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Dimensions:   Width: 14.00cm , Height: 2.20cm , Length: 21.60cm
Weight:   0.510kg
ISBN:  

9780230113671


ISBN 10:   0230113672
Pages:   293
Publication Date:   26 September 2011
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Hardback
Publisher's Status:   Active
Availability:   In Print   Availability explained
This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us.

Table of Contents

More virtually does Shakespeare's work for him': Dogmas of the More Myth PART I: SHAKESPEARE'S ATTEMPTS TO CREATE DE CASIBUS REVERSALS 'Then York, be still awhile, till time do serve': Shakespeare's dependence upon narrative Techniques Exploiting the Ricardian shock: Hastings, Clarence, and Edward Crafting the 'Rusty Armor' Charade (3.5.1-109) the Insurrection that Hoodwinks the Mayor PART II: SHAKESPEARE'S DISCOVERY OF THE DRAMATIC POTENTIALS OF THE PERSUADING SCENE 'For on that ground I'll make a holy descant-' Two Con Men Show how their Thespian Skills Brought Richard's Cause 'to a happy issue' 'Was ever woman in this humor woo'd?': Richard's Boast of his Prowess as Lover and Playwright 'The most arch act of piteous massacre/That ever yet this land was guilty of': How Shakespeare's Method of Exposing Richard Differs from More's 'To her go I, a jolly thriving wooer' - Again! A Re-Evaluation of the Second Wooing Scene in 4.4.199-431 PART III: CLOSURE AND CONCLUSIONS Meanwhile, Back at the Tetralogy...Reversal and Retribution at Bosworth Field: Closure in Act 5

Reviews

<p> This wonderfully erudite study should be of great interest to all lovers of Shakespeare in particular and the theatre in general. I found it very easy to read and very hard to put down. --Frederick Pyne, actor and former president of the British Actor's Equity <p> The relevance of More to Richard III is familiar enough, but the script's transformation of his details has never been so comprehensively reviewed. The book proceeds through the play scene by scene, ingeniously stressing the cumulative effect of Shakespeare's development of Richard's perspective as the key to the success of the script. Many of the detailed observations are thoughtful and clarify the exact working of theatrical effects in the scenes, which should be of interest to actors as well as critics. . --Hugh Richmond, Professor Emeritus of English, University of California Berkeley and Director of Shakespeare's Staging <p> This study offers a focused analysis of the dramatic structure of Richard III andt


<p> This wonderfully erudite study should be of great interest to all lovers of Shakespeare in particular and the theatre in general. I found it very easy to read and very hard to put down. --Frederick Pyne, actor and former president of the British Actor's Equity<p><p> The relevance of More to Richard III is familiar enough, but the script's transformation of his details has never been so comprehensively reviewed. The book proceeds through the play scene by scene, ingeniously stressing the cumulative effect of Shakespeare's development of Richard's perspective as the key to the success of the script. Many of the detailed observations are thoughtful and clarify the exact working of theatrical effects in the scenes, which should be of interest to actors as well as critics. . --Hugh Richmond, Professor Emeritus of English, University of California Berkeley and Director of Shakespeare's Staging <p><p> This study offers a focused analysis of the dramatic structure of Richard III and a compelling answer to the question of how Shakespeare became Shakespeare. Those who thought they knew Richard III will be startled by the insights the Halletts offer. --June Schlueter, Charles A. Dana Professor Emerita of English, Lafayette College


Author Information

CHARLES HALLETT Emeritus Professor of English at Fordham University, USA, and Visiting Scholar at Dartmouth College, USA.  ELAINE HALLETT received a B.A. in Renaissance drama from The New School, USA, was editor at Theatre Arts Books for many years and later wrote reviews and essays for New Oxford Review.     

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