Overview

Widely recognized as the leading German-language dramatist of his time, Arthur Schnitzler (1862-1931) has long been held to have somehow sunk into obsolescence after the premiere of his Professor Bernhardi in 1912, an oddly self-perpetuating opinion among many scholars and critics. It is the purpose of this study to examine Schnitzler's post-Bernhardi dramatic opus, beginning with the 1915 Komoedie der Worte, and thereby establish the enduring relevance of his themes and concerns.

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The Author: G. J. Weinberger is Professor of English at Central Connecticut State University. He received his Ph.D. from the University of Washington. In addition to numerous articles in professional journals, he has produced five volumes of translations of Arthur Schnitzler's works, including Berta Garlan (Peter Lang, 1987).

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