Revolutionary Messages

Author:   Antonin Artaud ,  Joel White (Independent scholar, UK)
Publisher:   Bloomsbury Publishing PLC
ISBN:  

9781350179011


Pages:   256
Publication Date:   19 September 2024
Format:   Paperback
Availability:   Available To Order   Availability explained
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Revolutionary Messages


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Full Product Details

Author:   Antonin Artaud ,  Joel White (Independent scholar, UK)
Publisher:   Bloomsbury Publishing PLC
Imprint:   Methuen Drama
Dimensions:   Width: 13.80cm , Height: 2.50cm , Length: 21.60cm
Weight:   0.454kg
ISBN:  

9781350179011


ISBN 10:   1350179019
Pages:   256
Publication Date:   19 September 2024
Audience:   College/higher education ,  Tertiary & Higher Education
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order   Availability explained
We have confirmation that this item is in stock with the supplier. It will be ordered in for you and dispatched immediately.

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[Artaud] has had an impact so profound that the course of all recent serious theatre in Western Europe and the Americas can be said to divide into two periods - before Artaud and after Artaud. --Susan Sontag The Theater and Its Double is far and away the most important thing that has been written about the theater in the twentieth century. It should be read again and again. Artaud oozed magical desires. He was the metaphysician of the theater. --Jean-Loius Barrault Artaud remains one of the significant and influential theorists of modern theatre --Gerald Rabkin, Professor of Theatre, Rutgers University


Author Information

Antonin Artaud (1896–1948) was a French dramatist, poet, essayist, actor and theatre director, widely recognized as one of the major figures of twentieth-century theatre and the European avant-garde. Artaud's most significant contribution to drama theory is his ""Theatre of Cruelty"", the ideas of which have been, and continue to be, the subject of influence for modern theatre and contemporary thought. Joel White completed a joint European Masters in Contemporary European Philosophy at Kingston University, UK, (CREMP) and Paris VIII (Saint-Denis), France, and holds a PhD in French Philosophy from King's College London, UK. He has published on the work of Artaud in Performance Philosophy, Shakespeare, and Walter Benjamin in Angelaki: Journal of the Theoretical Humanities. He is current the executive editor of Technophany: Journal of Philosophy and Technology.

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