Full Product Details
Author: Kimberly Jannarone
Publisher: The University of Michigan Press
Imprint: The University of Michigan Press
Dimensions:
Width: 15.20cm
, Height: 2.50cm
, Length: 22.90cm
Weight: 0.422kg
ISBN: 9780472035151
ISBN 10: 0472035150
Pages: 272
Publication Date: 26 June 2012
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Paperback
Publisher's Status: Active
Availability: In Print
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Reviews
""Jannarone has written a remarkable book about Artaud and the Theatre of Cruelty.. This fascinating study should shake the foundations of Artaudian scholarship."" -- S. W. Cole, Bridgewater College, CHOICE - Highly Recommended ""...a daring and rigorous historical reinterpretation that defies critical consensus on Artaud."" - Lara Cox, University of Exeter, French Studies ""[Jannarone] argues in her enlightening and engaging book that ""Artaud"" was invented in the 1960s in widespread misreadings of The Theatre and Its Double."" - Iris Smith Fischer, University of Kansas, Journal of Dramatic Theory and Criticism ""...a daring and rigorous historical reinterpretation that defies critical consensus on Artaud."" —Lara Cox, University of Exeter, French Studies -- Lara Cox * French Studies * ""[Jannarone] argues in her enlightening and engaging book that ""Artaud"" was invented in the 1960s in widespread misreadings of The Theatre and Its Double."" —Iris Smith Fischer, University of Kansas, Journal of Dramatic Theory and Criticism -- Iris Smith Fischer * Journal of Dramatic Theory and Criticism * ""I hope Jannarone's book will be read seriously and its implications traced with care and thoughtfulness."" —Mike Sell, TDR: The Drama Review * TDR: The Drama Review * ""Kimberly Jannarone's recent monograph Artaud and His Doubles is truly one of the most profoundly original and thought-provoking works of literary criticism dedicated to Antonin Artaud to date."" —Keith Moser, Dalhousie French Studies 97 * Dalhousie Frebch Studies 97 *
[Jannarone] argues in her enlightening and engaging book that Artaud was invented in the 1960s in widespread misreadings of The Theatre and Its Double . <br>--Iris Smith Fischer, University of Kansas, Journal of Dramatic Theory and Criticism<br><br> --Iris Smith Fischer Journal of Dramatic Theory and Criticism (10/08/2012)
[Jannarone] argues in her enlightening and engaging book that Artaud was invented in the 1960s in widespread misreadings of The Theatre and Its Double . --Iris Smith Fischer, University of Kansas, Journal of Dramatic Theory and Criticism --Iris Smith Fischer Journal of Dramatic Theory and Criticism (10/08/2012)
Author Information
Kimberly Jannarone is Associate Professor in the Department of Theater Arts at the University of California, Santa Cruz.
