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Full Product Details

Author:   Sarah Hibberd ,  Richard Wrigley
Publisher:   Taylor & Francis Ltd
Imprint:   Routledge
Weight:   0.408kg
ISBN:  

9781138310308

ISBN 10:   1138310301
Pages:   288
Publication Date:   12 October 2017
Audience:   College/higher education ,  College/higher education ,  Undergraduate ,  Postgraduate, Research & Scholarly
Format:   Paperback
Publisher's Status:   Active
Availability:   In Print  
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Table of Contents

Contents: Introduction, Sarah Hibberd and Richard Wrigley; Hearing through the eye in eighteenth-century French Opera, David Charlton; Nihil per saltum: chiaroscuro in eighteenth-century lyric theatre, Mark Darlow; Musical mutualism: David, Degotti and operatic painting, Mark Ledbury; Music, theatre, and the Gothic imaginary: visualising the ’Bleeding Nun’, Thomas Grey; Belshazzar’s Feast and the operatic imagination, Sarah Hibberd; Romantic painters as costumiers: the stage as pictorial battlefield, Olivia Voisin; Delaroche off stage, Stephen Bann; Performers and spectators: viewing Delaroche, Patricia Smyth; Delaroche and the drama of history: gesture and impassivity from The Children of Edward IV to Marie-Antoinette at the Tribunal, Beth S. Wright; Playing with excess: Maria Malibran as Clari at the Théâtre Italien, Céline Frigau Manning; All mixed up: Etienne-Jean Delécluze and the théâtral in art and criticism, Richard Wrigley; Bibliography; Index.

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Author Information

Sarah Hibberd is Associate Professor in the Department of Music at the University of Nottingham, UK. Richard Wrigley is Professor of Art History at the University of Nottingham, UK.

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