Overview
Each of the contributors addresses the theoretical questions by pursuing a definite artistic problem, including a close look at the relation between the image and the object in Hitchcock's Vertigo, the sexual aesthetics of Caravaggio, the artistic pen of Barthes, and how Cronenberg's film Crash functions as a sinthome.
Full Product Details
Author: Parveen Adams
Publisher: Taylor & Francis Ltd
Imprint: Routledge
Weight: 0.540kg
ISBN: 9780367107291
ISBN 10: 0367107295
Pages: 208
Publication Date: 14 June 2019
Audience:
Professional and scholarly
,
Professional and scholarly
,
Professional & Vocational
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: In Print
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Reviews
"""This book extends our map of the articulations that link art and psychoanalysis into a new understanding of what they do for and to each other. Between Lacan and Freud, Caravaggio and Joyce, Hitchcock and Cronenberg, the authors work through the methods of art and the structures of psychoanalytic thinking about art to show us that the roles of sublimation and displacement, symptom and enunciation are at once discursive and aesthetic. The partial identifications of the object and discourse, their incomplete relationships and overlappings between them, constitute a new kind of knowledge. If this is one that lies outside the established boundaries of culture and psychoanalytic studies, then these essays take a step towards disclosing it, inventing it, and giving it a name.""-- (03/01/2011)"
""This book extends our map of the articulations that link art and psychoanalysis into a new understanding of what they do for and to each other. Between Lacan and Freud, Caravaggio and Joyce, Hitchcock and Cronenberg, the authors work through the methods of art and the structures of psychoanalytic thinking about art to show us that the roles of sublimation and displacement, symptom and enunciation are at once discursive and aesthetic. The partial identifications of the object and discourse, their incomplete relationships and overlappings between them, constitute a new kind of knowledge. If this is one that lies outside the established boundaries of culture and psychoanalytic studies, then these essays take a step towards disclosing it, inventing it, and giving it a name.""-- (03/01/2011)
This book extends our map of the articulations that link art and psychoanalysis into a new understanding of what they do for and to each other. Between Lacan and Freud, Caravaggio and Joyce, Hitchcock and Cronenberg, the authors work through the methods of art and the structures of psychoanalytic thinking about art to show us that the roles of sublimation and displacement, symptom and enunciation are at once discursive and aesthetic. The partial identifications of the object and discourse, their incomplete relationships and overlappings between them, constitute a new kind of knowledge. If this is one that lies outside the established boundaries of culture and psychoanalytic studies, then these essays take a step towards disclosing it, inventing it, and giving it a name. -- (03/01/2011)
