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OverviewFull Product DetailsAuthor: Clive Cazeaux (Cardiff Metropolitan University, UK)Publisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.426kg ISBN: 9781138789777ISBN 10: 1138789771 Pages: 202 Publication Date: 11 April 2017 Audience: College/higher education , Postgraduate, Research & Scholarly , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsContents Figures Acknowledgments Introduction The theories that wedge art and knowledge apart 2. What is artistic research? 3. We need to talk about concepts 4. Writing as rupture and relation 5. Insights from the metaphorical nature of making 6. Does ‘art doctored’ equal ‘art neutered’? 7. Drawing with Merleau-Ponty: a study in the constellation of concepts 8. The aesthetics of research after the end of art Conclusion IndexReviewsAuthor InformationClive Cazeaux is Professor of Aesthetics at Cardiff Metropolitan University, Wales, UK. He is the author of Metaphor and Continental Philosophy: From Kant to Derrida (2007) and the editor of The Continental Aesthetics Reader (2011). His research interests are the philosophies of metaphor, visual thinking, artistic research and art–science practice. Tab Content 6Author Website:Countries AvailableAll regions |