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OverviewThe third volume of the widely acclaimed Art of the Cut book series focuses exclusively on documentary editing, bringing together the experience and insight of more than 100 of the world’s best documentary editors. Continuing his work from the other volumes, Steve Hullfish has carefully curated extensive interviews with the most experienced professionals in their field into easily digestible topics and categories. Following a filmography that introduces the many acclaimed productions and their award-winning editors, the book weaves excerpted interviews into a virtual round-table discussion of the processes and essential elements of editing a documentary. These discussions are structured around the three major skillsets required of an editor: technical, artistic, and collaborative. The book features expert insight from a deep and diverse set of voices, creating an invaluable resource for professional and aspiring editors who want to improve their skills and succeed in the field of documentary editing. Films featured in the book include those by acclaimed documentarians like Ken Burns, Ron Howard, Peter Jackson, Errol Morris, Ava DuVernay, Werner Herzog, Raoul Peck, Alex Gibney, Mira Nair, Antoine Fuqua, Morgan Neville, and Questlove. Featured projects include Oscar-winners: 20 Days in Mariupol, Navalny, Summer of Soul, OJ: Made In America, and My Octopus Teacher. Full Product DetailsAuthor: Steve HullfishPublisher: Taylor & Francis Ltd Imprint: Routledge Weight: 0.740kg ISBN: 9781041006138ISBN 10: 1041006136 Pages: 402 Publication Date: 24 March 2026 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Manufactured on demand We will order this item for you from a manufactured on demand supplier. Table of ContentsForeword Acknowledgements Introduction Chapter 1 Filmography Section I Editing Process Chapter 2 Organizing the Project Chapter 3 Approach Chapter 4 Scenes as Building Blocks Chapter 5 Organizing the Story Chapter 6 The Process Chapter 7 Micro-Pacing Chapter 8 Montage Chapter 9 Editors Cut Chapter 10 Killing Your Darlings Chapter 11 Ethics and Journalistic Integrity Chapter 12 Schedule Chapter 13 Editor as Writer Section II Editing Elements Chapter 14 Archival Material or Using Archival Chapter 15 Interviews and Talking Heads or Interview Material Chapter 16 Verité Chapter 17 Visuals Chapter 18 Music Chapter 19 Sound and the Mix Chapter 20 Narration and Voice Over Chapter 21 Re-creations and Re-enactments Chapter 22 Graphics, Illustrations, and Animations Chapter 23 Theme Chapter 24 Tone Chapter 25 Style Chapter 26 Subtext Chapter 27 Transitions and Juxtapositions Chapter 28 Jump Cuts Chapter 29 Translations and Dealin with Foreign Languages Section III Story and Structure Chapter 30 Storytelling Chapter 31 Structure Chapter 32 Character is Story Chapter 33 Opening Image or Sequence Chapter 34 Macro-Pacing the Story Section IV People Skills Chapter 35 Collaborating with the Director Chapter 36 Dealing with Notes Chapter 37 Collaboration Amongst Editors Chapter 38 Screenings Chapter 39 Emotional Health Chapter 40 Getting Started Section V Additional Materials Chapter 41 Translating Doc Editing Skills to Scripted Chapter 42 Finishing and Color Grade Chapter 43 Remote Work Chapter 44 Judging Editing Chapter 45 Miscellaneous WisdomReviewsAuthor InformationSteve Hullfish, ACE has decades of experience as a feature film, TV and documentary editor. National professional recognition for his productions started when he was still in college. His narrative feature film work includes Courageous, War Room, and Overcomer. His documentary work includes Clinton, Inc., Voices of the Movement, and Fallen Angel: Call Sign - Extortion 17. He's worked for some of the most influential media companies in the world, including editing The Oprah Winfrey Show for a decades. He has written eight books on editing and post-production including, Art of the Cut: Conversations with Film and TV editors; Art of the Cut: Conversations with Film and TV Editors, Volume II; The Art and Technique of Digital Color Correction; and Avid Uncut: Workflows, Tips, and Techniques from Hollywood Pros. He teaches film and documentary editing around the world and is the long-time host of the Art of the Cut podcast. Tab Content 6Author Website:Countries AvailableAll regions |
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