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9781032510002

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Praise for the First Edition Art, Media Design, and Postproduction is the perfect synthesis of practice and theory. It provides sensible guidelines and engaging exercises in the aesthetics of remix and appropriation. It also offers a sophisticated framework for appreciating the history and theory of remix. An indispensable text for every theorist, artist, or designer interested in this key aspect of contemporary media culture. Jay David Bolter, Georgia Institute of Technology, USA. This collection of writings on the immensity of remixing, sampling, collage and the other recombinant arts is sly, fresh, and relentlessly engaging. It reaffirms the resiliency of the artistic imagination in an era of digital overload. Read it as a guide for the perennially optimistic in a very cynical and dark time. Paul D. Miller aka DJ Spooky In this ground-breaking book, Eduardo Navas puts Remix Theory to work, providing readers with a practical guide to thinking remix by doing remix. He expertly stages innovative engagements with content creation practices that are designed not just to be read but to be used and reused in new and revealing ways. David J. Gunkel, Northern Illinois University, USA.

Author Information

Eduardo Navas is Associate Research Professor of Art and Digital Arts & Media Design, Associate Director of Access and Equity in the School of Visual Arts, and Research Faculty in the College of Arts and Architecture's Arts & Design Research Incubator (ADRI) at Pennsylvania State University, USA. He researches and teaches principles of cultural analytics, digital humanities, and emerging technologies. Navas is author and co-editor of several titles, including Keywords in Remix Studies (2017), The Routledge Handbook of Remix Studies and Digital Humanities (2021), The Rise of Metacreativity: AI Aesthetics After Remix (2023), and The Routledge Companion to Remix Studies, 2nd edition (2025).

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