|
![]() |
|||
|
||||
OverviewFull Product DetailsAuthor: Glenn Adamson , Julia Bryan-WilsonPublisher: Thames & Hudson Ltd Imprint: Thames & Hudson Ltd Dimensions: Width: 17.20cm , Height: 2.50cm , Length: 23.10cm Weight: 0.920kg ISBN: 9780500239339ISBN 10: 0500239339 Pages: 248 Publication Date: 02 May 2016 Audience: General/trade , General Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsReviews'Full of very good surprises, unusual suspects and unexpected perspectives ... illuminating and thought-provoking' - we-make-money-not-art.com 'After reading this book I won't ever look at an artwork in the same way again' - Crafts 'After reading this book I won't ever look at an artwork in the same way again' - Crafts 'Full of very good surprises, unusual suspects and unexpected perspectives ... illuminating and thought-provoking' - we-make-money-not-art.com Author InformationGlenn Adamson is Director of the Museum of Arts and Design, New York. He was formerly head of research at the Victoria and Albert Museum, London, and tutor at the Royal College of Art, London. He is co-editor of the Journal of Modern Craft and author of The Craft Reader and The Invention of Craft. Julia Bryan-Wilson is Associate Professor of Modern and Contemporary Art at the University of California, Berkeley. She is the author of Art Workers: Radical Practice in the Vietnam War Era and editor of Robert Morris (OCTOBER Files). Tab Content 6Author Website:Countries AvailableAll regions |