Full Product Details
Author: Evelyn Welch (Lecturer, Lecturer, Warburg Institute, University of London)
Publisher: Oxford University Press
Imprint: Oxford University Press
Dimensions:
Width: 16.80cm
, Height: 1.80cm
, Length: 24.00cm
Weight: 0.634kg
ISBN: 9780192842794
ISBN 10: 019284279
Pages: 352
Publication Date: 14 September 2000
Audience:
General/trade
,
General
Format: Paperback
Publisher's Status: Active
Availability: To order
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.
Reviews
<br> His discussion is marked by its scholarly breadth, clarity of argument, and willingness to include objects not within the canonic corpus....Welch's deeply informed and wide-ranging synthesis is a significant and welcome addition to the literature. --Library Journal<p><br> This is a splendid book: well-conceived, lucidly presented, beautifully illustrated. The practical information on the production of works of art (the techniques of fresco painting and casting bronze) and on the social organization of artistic production is most welcome. --Daniel Bornstein, Texas A&M University<p><br> An up-to-date, lucid and entirely readable synthesis of a wide range of current scholarship...should be required reading. --Nicholas Mann, Warburg Institute<p><br> Learned and helpful...I do not know any other book which covers these topics so satisfactorily. --George Holmes, All Souls, Oxford<p><br> A fresh and richly documented perspective on the role of images in the early Renaissance. --Martin Ke
<br> His discussion is marked by its scholarly breadth, clarity of argument, and willingness to include objects not within the canonic corpus....Welch's deeply informed and wide-ranging synthesis is a significant and welcome addition to the literature. --Library Journal<br> This is a splendid book: well-conceived, lucidly presented, beautifully illustrated. The practical information on the production of works of art (the techniques of fresco painting and casting bronze) and on the social organization of artistic production is most welcome. --Daniel Bornstein, Texas A&M University<br> An up-to-date, lucid and entirely readable synthesis of a wide range of current scholarship...should be required reading. --Nicholas Mann, Warburg Institute<br> Learned and helpful...I do not know any other book which covers these topics so satisfactorily. --George Holmes, All Souls, Oxford<br> A fresh and richly documented perspective on the role of images in the early Renaissance. --Martin Kemp, Trinity
His discussion is marked by its scholarly breadth, clarity of argument, and willingness to include objects not within the canonic corpus....Welch's deeply informed and wide-ranging synthesis is a significant and welcome addition to the literature. --Library Journal<br> This is a splendid book: well-conceived, lucidly presented, beautifully illustrated. The practical information on the production of works of art (the techniques of fresco painting and casting bronze) and on the social organization of artistic production is most welcome. --Daniel Bornstein, Texas A&M University<br> An up-to-date, lucid and entirely readable synthesis of a wide range of current scholarship...should be required reading. --Nicholas Mann, Warburg Institute<br> Learned and helpful...I do not know any other book which covers these topics so satisfactorily. --George Holmes, All Souls, Oxford<br> A fresh and richly documented perspective on the role of images in the early Renaissance. --Martin Kemp, Trinity College, Oxford<br>
His discussion is marked by its scholarly breadth, clarity of argument, and willingness to include objects not within the canonic corpus....Welch's deeply informed and wide-ranging synthesis is a significant and welcome addition to the literature. --Library Journal This is a splendid book: well-conceived, lucidly presented, beautifully illustrated. The practical information on the production of works of art (the techniques of fresco painting and casting bronze) and on the social organization of artistic production is most welcome. --Daniel Bornstein, Texas A&M University An up-to-date, lucid and entirely readable synthesis of a wide range of current scholarship...should be required reading. --Nicholas Mann, Warburg Institute Learned and helpful...I do not know any other book which covers these topics so satisfactorily. --George Holmes, All Souls, Oxford A fresh and richly documented perspective on the role of images in the early Renaissance. --Martin Kemp, Trinity College, Oxford
Author Information
Evelyn Welch is a Lecturer at the Warburg Institute, University of London. Her publications include Art and Authority in Renaissance Milan (Yale, 1995).
