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OverviewFull Product DetailsAuthor: Rebecca M. BrownPublisher: Duke University Press Imprint: Duke University Press Dimensions: Width: 17.10cm , Height: 1.50cm , Length: 21.60cm Weight: 0.449kg ISBN: 9780822343752ISBN 10: 0822343754 Pages: 277 Publication Date: 17 March 2009 Audience: General/trade , General Format: Paperback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsList of Illustrations ix Acknowledgments xi Introduction: The Modern Indian Paradox 1 One. Authenticity 23 Two. The Icon 45 Three. Narrative and Time 75 Four. Science, Technology, and Industry 103 Five. The Urban 131 Epilogue. The 1980s and After 157 Notes 163 References 171 Index 187ReviewsRebecca M. Brown weaves a rich and layered narrative of Indian post-independence art, interweaving painting with a wide range of references that include the architecture of Charles Correa, the 'high' cinema of Satyajit Ray, and the demotic art of Bollywood. All the while she balances theoretical sophistication with penetrating insights into the singular achievements of these artists as they negotiate the predicament of local versus global modernism. In the process, she unravels the indebtedness of modernity itself to colonialism. There has long been a crying need for such a work and Brown's pioneering opus fulfils this admirably. Partha Mitter, author of The Triumph of Modernism: India's Artists and the Avant-Garde, 1922-47 ""Rebecca M. Brown weaves a rich and layered narrative of Indian post-independence art, interweaving painting with a wide range of references that include the architecture of Charles Correa, the 'high' cinema of Satyajit Ray, and the demotic art of Bollywood. All the while she balances theoretical sophistication with penetrating insights into the singular achievements of these artists as they negotiate the predicament of local versus global modernism. In the process, she unravels the indebtedness of modernity itself to colonialism. There has long been a crying need for such a work and Brown's pioneering opus fulfils this admirably.""Partha Mitter, author of The Triumph of Modernism: India's Artists and the Avant-Garde, 1922-47 Author InformationRebecca M. Brown is a visiting associate professor of art history at Johns Hopkins University. Tab Content 6Author Website:Countries AvailableAll regions |