Overview
Shortlisted for the 2015 Deutscher Memorial Prize. Art and Value is the first comprehensive analysis of art's political economy to be found in classical, neoclassical and Marxist economics. It provides a critical-historical survey of the theories of art's economic exceptionalism, of art as a merit good, and of the theories of art's commodification, the culture industry and real subsumption. Key debates on the economics of art, from the high prices artworks fetch at auction, to the controversies over public subsidy of the arts, the 'cost disease' of artistic production, and neoliberal and post-Marxist theories of art's incorporation into capitalism, are examined in detail. Through this exacting critique of mainstream and Marxist theories of art's economics, the book arrives at a new and highly origianl Marxist theory of art's economic exceptionalism.
Full Product Details
Author: Dave Beech
Publisher: Haymarket Books
Imprint: Haymarket Books
Volume: 94
Dimensions:
Width: 15.20cm
, Height: 2.30cm
, Length: 22.90cm
Weight: 0.546kg
ISBN: 9781608466382
ISBN 10: 1608466388
Pages: 392
Publication Date: 14 June 2016
Audience:
College/higher education
,
Undergraduate
,
Postgraduate, Research & Scholarly
Format: Paperback
Publisher's Status: Active
Availability: Temporarily unavailable
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Reviews
It is impossible in the hackwork of a review to do justice to both the nuanced and wide-ranging arguments set forth in Art and Value The consequences for rethinking art s relationship to capitalism (and its politics), as well the collision between the economic and non-economic more broadly, I think, are far-reaching. Art and Value is definitely exceptional. Alex Fletcher, Art Monthly We're all looking for an opening. Dave Beech has put his hand on a key hidden for decades under a mountain of gloom. The result is Art and Value. I've never read anything like it In meticulous detail, Beech demonstrates how works of art are 'economically exceptional': that they are not in fact produced as commodities but only come into relation with the commodity form in ways that are not eternal, necessary, and incurable, but social, changeable, and even insignificant. It opens an authentically new dimension in this long debate and, in doing so, shows us a model of artistic, and by extension, social and political freedom that can inspire hope, confidence, and daring. This is a book of, and for, high spirits.Jeff Wall is an artist known for pioneering post-conceptual photography and critical writing on art history. [E]schewing facile totalizations, [Beech] makes some much-needed theoretical distinctions rooted in Marx s work, and highlights anomalies and details. He is definitely asking the right questions. Andrew Kliman is an economist and Professor in economics at Pace University, New York.
Author Information
Dave Beech is an artist in the collective Freee and teaches Art at Valand Academy, Gothenburg University. His work has been exhibited at the Liverpool Biennial (2010) and the Istanbul Biennial (2013). He has co-authored The Philistine Controversy (Verso, 2002), edited Beauty (MIT/Whitechapel, 2009), contributed essays to Locating the Producers (Valiz, 2011), and Curating and the Educational Turn (Open Editions, 2010).
