Overview

The fall of the Berlin Wall and the ripple effects felt over the following years from Bucharest to Prague to Moscow demarcate a significant moment when artists were able to publicly reassess their histories and question the opposition between the former East and the former West. Art and Theory of Post-1989 Central and Eastern Europe takes the pivotal political changes between 1989 and 1991 as its departure point to reflect on the effects that communism's disintegration across Central and Eastern Europe-including the Soviet Union's fifteen republics-had on the art practices, criticism, and cultural production of the following decades. This book presents a selection of the period's key voices that have introduced recent critical perspectives. Particular attention is given to the research and viewpoints of a new generation of artists, scholars, and curators who have advanced fresh critical perspectives and who are rewriting their own histories. Their examination of artistic practices and systems of cultural production proposes distinct outlooks for acting in the contemporary world while simultaneously rethinking the significance of the socialist legacy on art today. Art and Theory of Post-1989 Central and Eastern Europe is an indispensable volume on modern and contemporary art and theory from the region. Contributors. Branislava Andjelkovic, Edit Andras, Inke Arns, Marius Babias, Zdenka Badovinac, Ivana Bago, Zbynek Baladran, Claire Bishop, Luchezar Boyadjiev, Andreas Broeckmann, Boris Buden, Ilya Budraitskis, Ondrej Chrobak, Keti Chukhrov, Kim Conaty, Cosmin Costinas, Eda Cufer, Bojana Cvejic, Ekaterina Degot, Branislav Dimitrijevic, Michelle Elligott, Octavian Esanu, Yevgeniy Fiks, Meghan Forbes, Maja Fowkes, Reuben Fowkes, Boris Groys, Daniel Grun, Marina Grzinic, Vit Havranek, Jon Hendricks, IRWIN (Miran Mohar, Andrej Savski, Roman Uranjek, and Borut Vogelnik), Sanja Ivekovic, Ana Janevski, David Joselit, Timea Junghaus, Klara Kemp-Welch, Juliet Kinchin, Zofia Kulik, Andres Kurg, Katalin Ladik, Vaclav Magid, Eva Majewska, David Maljkovic, Roxana Marcoci, Lina Michelkevice, Aldo Milohnic, Viktor Misiano, Rastko Mocnik, Magdalena Moskalewicz, Deimantas Narkevicius, Ksenia Nouril, Ewa Opalka, Martina Pachmanova, Bojana Pejic, Dan Perjovschi, Natasa Petresin-Bachelez, Piotr Piotrowski, Bojana Piskur, David Platzker, Paulina Pobocha, Tomas Pospiszyl, Lydia Pribisova, Oleksiy Radynski, Karol Radziszewski, Christian Rattemeyer, Cristina Ricupero, Georg Schoellhammer, David Senior, Alina Serban, Slavs and Tatars, Sven Spieker, Tamas St.Auby, Zuzana Stefkova, Jakub Stejskal, Mladen Stilinovic, subREAL, Tomas Svoboda, Ovidiu Tichindeleanu, Margarita Tupitsyn, Gediminas Urbonas, Nomeda Urbonas, Jonas Valatkevicius, Jelena Vesic, Dmitry Vilensky, Raluca Voinea, What, How & for Whom (Ivet Curlin, Ana Devic, Natasa Ilic, and Sabina Sabolovic), Igor Zabel, Artur Zmijewski

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9781633450646

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Reviews

Art and Theory of Post-1989 Central and Eastern Europe consists of a great range of essays discussing many essential topics related to the region, including curatorial practice of the former Eastern bloc, democracy and the New Europe, art and politics and debates around art's relevance in society. -- Denisa Tomkova * H-SHERA, H-Net Reviews * The result of several years of sustained research and documentation by a team of MoMA curators, along with local critics and artists, this book is the most substantial and authoritative survey of current and recent art in a huge region of Europe. Highly recommended. Lower-division undergraduates through faculty and professionals. -- P. A. Stirton * Choice * Art and Theory of Post-1989 Central and Eastern Europe helps navigate the post-socialist art scene from the current perspective of local art figures. . . . The publication effectively opens a due discussion not only about art of Central and Eastern Europe, but also compellingly includes it in a conversation about the world at large. -- Adela Janickova * Hyperallergic *

Art and Theory of Post-1989 Central and Eastern Europe consists of a great range of essays discussing many essential topics related to the region, including curatorial practice of the former Eastern bloc, democracy and the New Europe, art and politics and debates around art's relevance in society. -- Denisa Tomkova * H-SHERA * The result of several years of sustained research and documentation by a team of MoMA curators, along with local critics and artists, this book is the most substantial and authoritative survey of current and recent art in a huge region of Europe. Highly recommended. Lower-division undergraduates through faculty and professionals. -- P. A. Stirton * Choice * Art and Theory of Post-1989 Central and Eastern Europe helps navigate the post-socialist art scene from the current perspective of local art figures. . . . The publication effectively opens a due discussion not only about art of Central and Eastern Europe, but also compellingly includes it in a conversation about the world at large. -- Adela Janickova * Hyperallergic *

Art and Theory of Post-1989 Central and Eastern Europe helps navigate the post-socialist art scene from the current perspective of local art figures. . . . The publication effectively opens a due discussion not only about art of Central and Eastern Europe, but also compellingly includes it in a conversation about the world at large. -- Adela Janickova * Hyperallergic *

Author Information

Ana Janevski is Curator in the Department of Media and Performance Art at The Museum of Modern Art. Roxana Marcoci is Senior Curator in the Department of Photography at The Museum of Modern Art, and C-MAP Leader for Central and Eastern Europe at the Museum. Ksenia Nouril is former C-MAP Fellow for Central and Eastern European Art at The Museum of Modern Art.

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