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OverviewProvides an overview of the complex and often disturbing relationship between war and the fine arts during this crucial period of modern history. This title starts by examining the art produced in reaction to the Spanish Civil War, and then looks at painting, prints, and drawing in each of the major combatant nations, including Japan and China. Full Product DetailsAuthor: Monica Bohm-DuchenPublisher: Princeton University Press Imprint: Princeton University Press Dimensions: Width: 21.60cm , Height: 3.00cm , Length: 25.40cm Weight: 1.588kg ISBN: 9780691145617ISBN 10: 069114561 Pages: 288 Publication Date: 19 January 2014 Audience: College/higher education , Professional and scholarly , Tertiary & Higher Education , Professional & Vocational Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Language: English Table of ContentsReviewsOne of Choice's Outstanding Academic Titles for 2014 [D]isturbingly attractive. --Sarah Harrison Smith, New York Times Book Review In this well-researched, clear-eyed assessment of art's relationship to the war that 'has left the darkest and most indelible mark on modern society,' Bohm-Duchen (After Auschwitz) presents a sobering overview of the official and nonofficial fine art produced in warring nations... [T]he book is particularly impressive for the obscure work it covers... Bohm-Duchen punctuates the narrative with astute insights... Brimming with chilling full-color images, this handsome volume reaffirms the importance of WWII in relation to the fine arts. --Publishers Weekly Independent scholar Bohm-Duchen delivers a powerful global history of WWII in a wide range of visual culture and art, from photographs and propaganda posters to drawings, fine art prints, and to a lesser extent, sculpture. The author does not gloss over the problematic nature of art related to the atrocities of war, including the aestheticizing of violence, the role of censorship in shaping history, and the uneasy parallel development of modernism... With clear, accessible prose and high-quality images, this book is indispensable for both university and museum collections. --Choice Monica Bohm-Duchen's wide-ranging study of art and the Second World War is a powerful account of the enduring power of artistic images to go beyond photography in making us think about war. Here is an indispensable global history of art and artists in the crucible of the 1939-45 war. --Jay Winter, Charles J. Stille Professor of History, Yale University [A] solid and highly readable guide. --Telegraph It is no exaggeration to say that this book is a landmark... The author must be both congratulated and thanked for giving us such a remarkable panorama. This magnum opus must be in all Art School, University and Public Libraries--and it would also make an excellent present for anyone interested in the Second World War in all its complex aspects. --Cercles A far-reaching overview of the artistic response to the conflict, from the preludial Spanish Civil War to the dropping of the atom bombs on Japan. --Galleries Magazine Well illustrated, extensively researched and highly approachable. --Galleries Magazine This is a book about war art. The images speak. Sometimes they scream. Yet, this coffee table size book deceives the reader into privileging the image over the text when the text itself is so compelling. --Erica Brown, Jewish Quarterly [D]isturbingly attractive. --Sarah Harrison Smith, New York Times Book Review In this well-researched, clear-eyed assessment of art's relationship to the war that 'has left the darkest and most indelible mark on modern society,' Bohm-Duchen (After Auschwitz) presents a sobering overview of the official and nonofficial fine art produced in warring nations... [T]he book is particularly impressive for the obscure work it covers... Bohm-Duchen punctuates the narrative with astute insights... Brimming with chilling full-color images, this handsome volume reaffirms the importance of WWII in relation to the fine arts. --Publishers Weekly In this well-researched, clear-eyed assessment of art's relationship to the war that 'has left the darkest and most indelible mark on modern society, ' Bohm-Duchen ( After Auschwitz ) presents a sobering overview of the official and nonofficial fine art produced in warring nations. . . . [T]he book is particularly impressive for the obscure work it covers. . . . Bohm-Duchen punctuates the narrative with astute insights. . . . Brimming with chilling full-color images, this handsome volume reaffirms the importance of WWII in relation to the fine arts. -- Publishers Weekly "One of Choice's Outstanding Academic Titles for 2014 ""[D]isturbingly attractive.""--Sarah Harrison Smith, New York Times Book Review ""In this well-researched, clear-eyed assessment of art's relationship to the war that 'has left the darkest and most indelible mark on modern society,' Bohm-Duchen (After Auschwitz) presents a sobering overview of the official and nonofficial fine art produced in warring nations... [T]he book is particularly impressive for the obscure work it covers... Bohm-Duchen punctuates the narrative with astute insights... Brimming with chilling full-color images, this handsome volume reaffirms the importance of WWII in relation to the fine arts.""--Publishers Weekly ""Independent scholar Bohm-Duchen delivers a powerful global history of WWII in a wide range of visual culture and art, from photographs and propaganda posters to drawings, fine art prints, and to a lesser extent, sculpture. The author does not gloss over the problematic nature of art related to the atrocities of war, including the aestheticizing of violence, the role of censorship in shaping history, and the uneasy parallel development of modernism... With clear, accessible prose and high-quality images, this book is indispensable for both university and museum collections.""--Choice ""Monica Bohm-Duchen's wide-ranging study of art and the Second World War is a powerful account of the enduring power of artistic images to go beyond photography in making us think about war. Here is an indispensable global history of art and artists in the crucible of the 1939-45 war.""--Jay Winter, Charles J. Stille Professor of History, Yale University ""[A] solid and highly readable guide.""--Telegraph ""It is no exaggeration to say that this book is a landmark... The author must be both congratulated and thanked for giving us such a remarkable panorama. This magnum opus must be in all Art School, University and Public Libraries--and it would also make an excellent present for anyone interested in the Second World War in all its complex aspects.""--Cercles ""A far-reaching overview of the artistic response to the conflict, from the preludial Spanish Civil War to the dropping of the atom bombs on Japan.""--Galleries Magazine ""Well illustrated, extensively researched and highly approachable.""--Galleries Magazine ""This is a book about war art. The images speak. Sometimes they scream. Yet, this coffee table size book deceives the reader into privileging the image over the text when the text itself is so compelling.""--Erica Brown, Jewish Quarterly ""Monica Bohm-Duchen has produced a carefully crafted book as valuable as it is disturbing.""--Donald Lateiner, Michigan War Studies Review" Author InformationMonica Bohm-Duchen is an independent writer, lecturer, and curator. Based in London, she has worked for such leading institutions as the Tate, the National Gallery, and the Royal Academy of Arts. Her many books include ""After Auschwitz: Responses to the Holocaust in Contemporary Art"". She teaches a course on art and war at Birkbeck, University of London, and at New York University in London. Tab Content 6Author Website:Countries AvailableAll regions |