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Author:   Douglas Howland ,  Elizabeth Lillehoj ,  Maximilian Mayer
Publisher:   Palgrave Macmillan
Imprint:   Palgrave Macmillan
Edition:   Softcover reprint of the original 1st ed. 2017
Dimensions:   Width: 14.80cm , Height: 1.80cm , Length: 21.00cm
Weight:   0.454kg
ISBN:  

9781349957057

ISBN 10:   1349957054
Pages:   320
Publication Date:   06 July 2018
Audience:   Professional and scholarly ,  Professional & Vocational
Format:   Paperback
Publisher's Status:   Active
Availability:   Manufactured on demand  
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Table of Contents

1. Introduction: An Interdisciplinary Approach to Art and Sovereignty .- 2. Space and Sovereignty: A Reverse Perspective .- 3. The International Movement to Protect Literary and Artistic Property .- 4. Dongbei, Manchukuo, Manchuria: Territory, Artifacts, and the Multiple Bodies of Sovereignty in Northeast Asia .- 5. Claims .- 6. Stolen Buddhas and Sovereignty Claims .- 7. Art by Dispossession at El Paso Saddleback Company: Commodification and Graduated Sovereignty in Global Capitalism .- 8. Claiming Sovereignty through Equestrian Spectacle in Northern Cameroon .- 9. Identity and Sovereignty in Asian Art Cinema: Digital Diaspora Films of South Korea and Malaysia .- 10. Re-viewing Sovereignty: North Korean Authoritarianism and Art .- 11. Sovereignty as Performance and Video Art: Citizenship between International Relations and Artistic Representation .- 12. Directions for Future Research on Art, Sovereignty, and Global Affairs.

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Author Information

Douglas Howland is Buck Professor of History at the University of Wisconsin-Milwaukee, USA. He is, most recently, author of International Law and Japanese Sovereignty: The Emerging Global Order in the 19th Century (2016) and co-editor (with Luise White) of The State of Sovereignty: Territories, Laws, Populations (2009). Elizabeth Lillehoj is Professor of Asian Art History with a specialization in premodern Japan, teaching at DePaul University in Chicago, USA. She is the editor of three volumes on East Asian art and author of Art and Palace Politics in Japan, 1580s-1680s (2011). Maximilian Mayer is Research Professor at the German Studies Center of Tongji University, Shanghai, with a specialization in International Relations, Science, Technology, and Arts. He is co-editor of The Global Politics of Science and Technology Vol.1 and Vol.2 (2014).

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