Art and Responsibility: A Phenomenology of the Diverging Paths of Rosenzweig and Heidegger

Author:   Professor Jules Simon (University of Texas at El Paso, USA)
Publisher:   Continuum Publishing Corporation
ISBN:  

9781441109521


Pages:   304
Publication Date:   24 March 2011
Format:   Hardback
Availability:   Manufactured on demand   Availability explained
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Art and Responsibility: A Phenomenology of the Diverging Paths of Rosenzweig and Heidegger


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Overview

Two German philosophers working during the Weimar Republic in Germany, between the two World Wars, produced seminal texts that continue to resonate almost a hundred years later. Franz Rosenzweig—a Jewish philosopher, and Martin Heidegger—a philosopher who at one time was studying to become a Catholic priest, each in their own, particular way include in their writings powerful philosophies of art that, if approached phenomenologically and ethically, provide keys to understanding their radically divergent trajectories, both biographically and for their philosophical heritage. Simon provides a close reading of some of their essential texts—The Star of Redemption for Rosenzweig and Being and Time and The Origin of the Work of Art for Heidegger—in order to draw attention to how their philosophies of art can be understood to provide significant ethical directives.

Full Product Details

Author:   Professor Jules Simon (University of Texas at El Paso, USA)
Publisher:   Continuum Publishing Corporation
Imprint:   Continuum Publishing Corporation
Dimensions:   Width: 15.60cm , Height: 1.70cm , Length: 23.40cm
Weight:   0.603kg
ISBN:  

9781441109521


ISBN 10:   1441109528
Pages:   304
Publication Date:   24 March 2011
Audience:   College/higher education ,  Postgraduate, Research & Scholarly
Format:   Hardback
Publisher's Status:   Active
Availability:   Manufactured on demand   Availability explained
We will order this item for you from a manufactured on demand supplier.
Language:   English

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Reviews

Art and Responsibility is a sophisticated exploration of the ethical implications of the aesthetic and the aesthetic implications of the ethical. Simon explores this topic through a phenomenological investigation of the thought of Heidegger and Rosenzweig. Instead of producing an intellectual history of these thinkers, the author seeks to elicit the ethical repercussions of their philosophies of art through careful philological-textual analysis of their dense writings. The juxtaposition of these two seminal German thinkers has engendered a fascinating study that undoubtedly will provoke lively discussion and debate in the years to come. --Elliot R. Wolfson, Abraham Lieberman Professor of Hebrew and Judaic Studies, New York University, USA


Author Information

Jules Simon is Professor of Philosophy and Director of the Center for Science, Technology, Ethics, and Policy at the University of Texas at El Paso, USA. He is the co-editor of The Double Binds of Ethics after the Holocaust: Salvaging the Fragments (2009).

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