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OverviewFull Product DetailsAuthor: Joseph Parry (Brigham Young University, USA)Publisher: Taylor & Francis Ltd Imprint: Routledge Dimensions: Width: 15.60cm , Height: 1.80cm , Length: 23.40cm Weight: 0.660kg ISBN: 9780415774499ISBN 10: 0415774497 Pages: 256 Publication Date: 26 November 2010 Audience: College/higher education , Undergraduate Format: Hardback Publisher's Status: Active Availability: In Print ![]() This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsIntroduction Mark Wrathall and Joseph D. Parry 1. Paul Klee and the Role of the Body in Motivating Perception Mark Wrathall 2. Phenomenology and Aesthetics: or Why Art Matters Steven Crowell 3. Objectivity and Self-Disclosedness: The Phenomenological Working of Art Jeff Malpas 4. Horizon, Oscillation, Boundaries: A Philosophical Account of Mark Rothko's Art Violetta Waibel 5. Representing the Real: a Merleau-Pontean Account of Art and Experience from the Renaissance to New Media Sean Dorrance Kelly 6. The Judgment of Adam: Self-Consciousness and Normative Orientation in Lucas Cranach’s Eden Wayne Martin 7. Describing Reality or disclosing Worldhood?: Vermeer and Heidegger Béatrice Han-Pile 8. Phenomenological History, Freedom, and Botticelli’s Cestello Annunciation Joseph D. Parry 9. Showing and Seeing: Film as Phenomenology John Brough. IndexReviewsAuthor InformationJoseph D. Parry is Associate Professor in the Department of Humanities, Classics, and Comparative Literature, Brigham Young University, USA. Tab Content 6Author Website:Countries AvailableAll regions |