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Awards
OverviewFull Product DetailsAuthor: Sheldon Hall (Independent scholar and freelance writer)Publisher: Edinburgh University Press Imprint: Edinburgh University Press ISBN: 9781399520140ISBN 10: 1399520148 Pages: 536 Publication Date: 31 December 2025 Audience: Professional and scholarly , Professional & Vocational Format: Paperback Publisher's Status: Active Availability: Not yet available This item is yet to be released. You can pre-order this item and we will dispatch it to you upon its release. Table of ContentsReviewsEntirely accessible with wry wit and occasional clearly-unresisted puns. (The chapter on editing films for television is called ""Abridged Too Far"".) If you have any interest in the subject, it's essential reading.--Gary Couzens ""CineOutsider"" Rigorously researched and illustrated with schedules and magazine-cover arts, it's a compelling vision of days of TV past.--Joel Harley ""Total Film"" There will be nostalgia here for those who grew up on late-night horror screenings in the 1970s or the black-and-white films that filled many a rainy weekend afternoon. It is an authoritative and impressive piece of research, presented with a dry wit, and comes highly recommended.--Adrian Smith ""Cinema Retro"" Armchair Cinema is an important - indeed, one might say monumental - work of scholarship that will command major intellectual currency in both British film and television studies [...] This book will be of significant interest to armchair cinephiles as well as teachers, researchers and students. A 'sequel' taking up the history from the arrival of Channel 4 in 1982 is promised and will be eagerly awaited.--James Chapman ""Journal of British Cinema and Television"" Armchair Cinema is an expansive, detailed, richly illustrated and annotated (making full use of appended data) exploration of the connection between cinema, film and television, which will be of interest to many media scholars and social historians alike.--Kevin Geddes ""Critical Studies in Television"" Armchair Cinema is full of gems, and demands a sequel covering the glory years of Channel 4 - and the retreat into English-language cinema during the 1990s.--Henry K. Miller ""Sight and Sound, October 2024"" ""Sheldon Hall's pioneering Armchair Cinema examines in forensic detail - with a wealth of fascinating archival material - the history of the often stressful relationship between broadcasters and the film industry, and of the changing status of film in television programming, in the process laying the foundations for a fertile new area of media studies. This is an important and absorbing book.""--Sir Christopher Frayling, Emeritus Professor of Cultural History Royal College of Art and Visiting Professor of Arts, University of Lancaster From scheduling to censorship, Hall covers plenty of ground, such as the first movie broadcast on British TV in 1937 - not The Student of Prague (1936), as often claimed, but western The Last of the Clintons (1935) - through to the start of the 1980s. I keenly anticipate the proposed second volume.--Pamela Hutchinson ""Sight & Sound, Editors' Choice: September 2024"" Hall packs his pages with so many compelling stories. Learn how the Carry On comedies doubled box office after broadcast, how sneaky U.S. distributors passed off Edgar Wallace and Sherlock Holmes flicks as TV shows to get around a limit, and why a UK exec was ""utterly revolted"" by 1933's King Kong. King Kong!--Rob Lott ""Flick Attack"" Often uneasy bedfellows, cinema and television have nonetheless always been in a relationship. In Armchair Cinema, Sheldon Hall's meticulous archival research informs an illuminating history of where many films find their biggest audience - at home. This is the untold story of feature films on the small screen in Britain (1929-1981).--Justin Smith, Professor of Cinema and Television History, De Montfort University Author InformationSheldon Hall is an Emeritus Fellow at Sheffield Hallam University, UK. A former film journalist, he has contributed to numerous books and journals on British and American cinema. He is the author of Armchair Cinema: A History of Feature Films on British Television, 1929-1981 (EUP, 2024) and Zulu: With Some Guts Behind It (2005/2014), co-author of Epics, Spectacles, and Blockbusters: A Hollywood History (2010), and co-editor of Widescreen Worldwide (2010). Tab Content 6Author Website:Countries AvailableAll regions |
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