Overview

Full Product Details

Author:   Harriet E.H. Earle
Publisher:   McFarland & Co Inc
Imprint:   McFarland & Co Inc
Dimensions:   Width: 15.20cm , Height: 1.20cm , Length: 22.90cm
Weight:   0.299kg
ISBN:  

9781476690636

ISBN 10:   1476690634
Pages:   228
Publication Date:   04 January 2024
Recommended Age:   From 18 years
Audience:   General/trade ,  General
Format:   Paperback
Publisher's Status:   Active
Availability:   Available To Order  
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Table of Contents

Table of Contents Acknowledgments Introduction: Once Upon a Time in Hollywoo Harriet E.H. Earle “That’s too much, man”: Masculinities and Identity It’s Different Because He’s a Horse: Race, Gender, and Identity in Anthropomorphic Animation John Alberti More Horse Than a Man, or More Man Than a Horse: Rethinking Masculinity Through Zany Anthropomorphism Juliana Varela Anthropomorphic Deviations Ole Christoffer Haga Scribbles and Compression: Tracing Feminist Animation Aesthetics Jacqueline Ristola “Silence drowns the sound”: Mental Health and Trauma “Someday this will all be a pleasant memory”: Exploring Cycles of Trauma in Beatrice, Sarah Lynn, and Hollyhock Laura Mulcahy “I’m really carrying this double act”: BoJack, Beatrice, Memory, and Forgetting Sam Chesters “Why the long face?” Metamodernism, Incongruity and Mental Illness Lucy Rivers “I’ll take flight. Maybe tomorrow. Not tonight”: A Psychoanalytic Perspective on “The Old Sugarman Place” Mike Clarke and Aanchal Vij “Everyone loves you, but no one likes you”: Celebrity, Fame, and Entitlement Property, Entitlement, Impropriety: Hollywoo(d) Plays Itself at 1475 Luck Hoof Avenue Lawrence Alexander Hollywoo Stars and Celebrities: Who Are They? How Are They Created? Let’s Find Out! Arya Rani Todd’s Rock Opera and the Efficacy of Dikshya Karki “We’re all terrible, so therefore we’re all OK”: The Deconstruction of the Masculine Icon and the Concept of Forgiveness Sarah Wagstaffe About the Contributors Index

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Author Information

Harriet E.H. Earle is a lecturer in English at Sheffield Hallam University in Sheffield, South Yorkshire, England. Her work has appeared in The Journal of Popular Culture and The European Journal of American Culture.

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