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9781478020387

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“This beautifully written and brilliantly original work elucidates a seemingly irresolvable tension, central to the condition of migrants, between the transience of the refugee category and how refugees’ lives are anchored in hard infrastructures and histories. By tracing the entanglement of aesthetics and politics in the Dadaab refugee camp, Anooradha Iyer Siddiqi ties migration to encampment in a visceral and material way.” -- Miriam Ticktin, author of * Casualties of Care: Immigration and the Politics of Humanitarianism in France * “Architecture of Migration deftly deconstructs humanitarian discourses in architecture, planning, and global crisis management. Its compelling ethnographic research with camp residents and aid workers shares lived experiences within these built-to-be-temporary camps of tents and tarps that have become permanent sprawling urban settlements. Anooradha Iyer Siddiqi’s insightful histories share spatial narratives of lives caught in the wake of colonialism and political, economic, and environmental upheaval. Siddiqi produces an unparalleled study of how neoliberal policies strategically and violently underdevelop spaces for the world’s most vulnerable people.” -- Mabel O. Wilson, Professor of Architecture and Professor of Black Studies, Columbia University

“This beautifully written and brilliantly original work elucidates a seemingly irresolvable tension, central to the condition of migrants, between the transience of the refugee category and how refugees’ lives are anchored in hard infrastructures and histories. By tracing the entanglement of aesthetics and politics in the Dadaab refugee camp, Anooradha Iyer Siddiqi ties migration to encampment in a visceral and material way.” -- Miriam I. Ticktin, author of * Casualties of Care: Immigration and the Politics of Humanitarianism in France *

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Anooradha Iyer Siddiqi is Assistant Professor of Architecture at Barnard College, Columbia University, and coeditor of Feminist Architectural Histories of Migration and Spatial Violence.

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