Overview

Leading architect Reinier de Graaf punctures the myths behind the debates on what contemporary architecture is, with wit and devastating honesty. Architecture, it seems, has become too important to leave to architects. No longer does it suffice to judge a building solely by its appearance, it must be measured, and certified. When architects talk about 'Excellence', 'Sustainability', 'Well-being', 'Liveability', 'Placemaking', 'Creativity', 'Beauty' and 'Innovation' what do they actually mean? In Architect, Verb, De Graaf dryly skewers the doublespeak and hot air of an industry in search of an identity in the 21st century. Who determines how to measure a 'green building'? Why is Vancouver more 'liveable' than Vienna? How do developers get away with advertising their buildings as promoting 'well-being'? Why did Silicon Valley become so obsessed with devising 'creative' spaces or developing code that replaces architects? How much revenue can be attributed to the design of public space? Who gets to decide what these measurements should be, and what do they actually mean? And what does it mean for the future of our homes, cities, planet? He also includes a biting, satirical dictionary of 'profspeak': the corporate language of consultants, developers and planners from 'Active listening' to 'Zoom Readiness'.

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9781839761911

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In this perceptive study, Dutch architect Reinier de Graaf expounds on the state of 21st-century architecture. De Graaf's biting prose rails against the canon of modern architecture, and he interweaves real-world examples throughout. Passionately argued and expertly told, this is a rousing architectural critique. * Publishers Weekly * A compelling collection of essays and diary entries about de Graaf's life in architecture...no one else is identifying the problems or suggesting potential exits from them as wittily or as intelligently as he is. -- Tim Abrahams * Architectural Record * [de Graaf] reflects on the current state of his field, arguing that constraints on creative autonomy, overcommercialization and a poor understanding of good design have transformed 'spaces of spontaneity into preprogrammed, overdetermined areas.' * The New York Times Book Review * [An] incisive new book...Reinier de Graaf argues with persuasion and wit that Vancouver's often-high ranking in some livability indexes is this city's trademark, its brand. De Graaf understands what's happened. Vancouver is the world's best 'recipe for how to turn your city into a place that is so enjoyable to live that no one can afford to do it.' * The Vancouver Sun * [De Graaf] deftly mixes history, anecdotes, and personal experience -- Osman Can Yerebakan * Untapped Journal *

In this perceptive study, Dutch architect Reinier de Graaf expounds on the state of 21st-century architecture. De Graaf's biting prose rails against the canon of modern architecture, and he interweaves real-world examples throughout. Passionately argued and expertly told, this is a rousing architectural critique. * Publishers Weekly * A compelling collection of essays and diary entries about de Graaf's life in architecture...no one else is identifying the problems or suggesting potential exits from them as wittily or as intelligently as he is. -- Tim Abrahams * Architectural Record * [de Graaf] reflects on the current state of his field, arguing that constraints on creative autonomy, overcommercialization and a poor understanding of good design have transformed 'spaces of spontaneity into preprogrammed, overdetermined areas.' * The New York Times Book Review * [An] incisive new book...Reinier de Graaf argues with persuasion and wit that Vancouver's often-high ranking in some livability indexes is this city's trademark, its brand. De Graaf understands what's happened. Vancouver is the world's best 'recipe for how to turn your city into a place that is so enjoyable to live that no one can afford to do it.' * The Vancouver Sun * [De Graaf] deftly mixes history, anecdotes, and personal experience -- Osman Can Yerebakan * Untapped Journal * [architect, verb.] feels like a stealth mission - an effort to slip something explosive into the carry-on luggage of the TED Talks class. -- Will Wiles * Literary Review *

In this perceptive study, Dutch architect Reinier de Graaf expounds on the state of 21st-century architecture. De Graaf's biting prose rails against the canon of modern architecture, and he interweaves real-world examples throughout. Passionately argued and expertly told, this is a rousing architectural critique. * Publishers Weekly * A compelling collection of essays and diary entries about de Graaf's life in architecture...no one else is identifying the problems or suggesting potential exits from them as wittily or as intelligently as he is. -- Tim Abrahams * Architectural Record * Praise for Four Walls and a Roof * : * Sharp, revealing, funny, drily passionate and not always encouraging. * Rowan Moore * Provocative -- it is easy to forget that de Graaf is an architect, an insider, part of the system he dissects...De Graaf is likely to remain an architect for decades to come. In those circumstances, his enthusiasm for biting the hand that feeds him is admirably risky * Jonathan Meades * Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control. * Edwin Heathcote * Shrewd, lucid, and engaging...He seems to have been everywhere and listened to anyone who is -- or has been -- active and influential in building and planning...You will not find a better guide to planning, building, and architecture of the last half-century * Joseph Rykwert * Something of a revelation...an original and even occasionally hilarious book...He deftly shows that architecture cannot be better or more pure than the flawed humans who make it. * The Economist *

Sharp, revealing, funny, drily passionate and not always encouraging. * Rowan Moore [on Four Walls and Roof] * Provocative--it is easy to forget that de Graaf is an architect, an insider, part of the system he dissects...De Graaf is likely to remain an architect for decades to come. In those circumstances, his enthusiasm for biting the hand that feeds him is admirably risky * Jonathan Meades [on Four Walls and a Roof] * Witty, insightful and funny, it is a (sometimes painful) dissection of a profession that thinks it is still in control * Edwin Heathcote [on Four Walls and a Roof] * Shrewd, lucid, and engaging . . . He seems to have been everywhere and listened to anyone who is--or has been--active and influential in building and planning . . . You will not find a better guide to planning, building, and architecture of the last half-century * Joseph Rykwert [on Four Walls and A Roof] * Something of a revelation.. an original and even occasionally hilarious book ...He deftly shows that architecture cannot be better or more pure than the flawed humans who make it. * The Economist [on Four Walls and a Roof] *

Author Information

Reinier de Graaf (1964, Schiedam) is a Dutch architect and writer. He is a partner in the Office for Metropolitan Architecture (OMA), where he leads projects in Europe, Russia and the Middle East. Reinier is the co-founder of OMA's think-tank AMO and Sir Arthur Marshall Visiting Professor of Urban Design at the University of Cambridge. He is the author of Four Walls and a Roof: The Complex Nature of a Simple Profession and the novel The Masterplan. He lives in Amsterdam.

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