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OverviewFull Product DetailsAuthor: Lesley McFadyen , Dan HicksPublisher: Taylor & Francis Ltd Imprint: Bloomsbury Visual Arts Weight: 0.580kg ISBN: 9781350029682ISBN 10: 1350029688 Pages: 264 Publication Date: 28 November 2019 Audience: College/higher education , General/trade , Tertiary & Higher Education , General Format: Hardback Publisher's Status: Active Availability: In Print  This item will be ordered in for you from one of our suppliers. Upon receipt, we will promptly dispatch it out to you. For in store availability, please contact us. Table of ContentsNotes on contributorsList of FiguresPreface 1. Introduction: From Archaeology to Photology, Lesley McFadyen and Dan Hicks2. The Transformation of Visual Archaeology, Dan Hicks3. ‘At any given moment’: duration in archaeology and photography, Mark Knight and Lesley McFadyen4. Exposing Archaeology: Beauty, Time, and Mistaken Images, J.A. Baird5. Parafictions: a Polaroid Archaeology, Joanna Alves-Ferreira6. Archaeology, Photography and Poetics, Sergio Gomes7. Between the medium and the metaphor: multiple temporalities in photography and archaeology, Antonia Thomas8. Photographing Buildings, James Dixon9. Photographing Graffiti, Alex Hale and Iain Anderson10. Photography and Intangible Heritage, Samuel Derbyshire11. The Aerial Imagination, Oscar Aldred IndexReviewsThis proposal is very good. The authors propose a book that is timely and most useful. The editors accurately place the subject in a scholarly context and they also have called on scholars in the field that will prepare top-notch contributions to the volume. I think that the volume promises to be excellent. The strengths are the roster of scholars that have committed to the project. The scholars come from a wide array of backgrounds, both in terms of their topics, regions, and place in the world of archaeology (i.e., there are both senior and junior scholars) [...] seems to be well-organized with a structure that serves the topic well. --Carolyn White, University of Nevada, Reno, USA Interesting topic and in need of further study [...] [the] book will need to be distinctive, different, and demonstrate how it can advance the field. --Yannis Hamilakis, University of Southampton, UK This proposal is very good. The authors propose a book that is timely and most useful. The editors accurately place the subject in a scholarly context and they also have called on scholars in the field that will prepare top-notch contributions to the volume. I think that the volume promises to be excellent. The strengths are the roster of scholars that have committed to the project. The scholars come from a wide array of backgrounds, both in terms of their topics, regions, and place in the world of archaeology (i.e., there are both senior and junior scholars) [...] seems to be well-organized with a structure that serves the topic well. * Carolyn White, University of Nevada, Reno, USA * Interesting topic and in need of further study [...] [the] book will need to be distinctive, different, and demonstrate how it can advance the field. * Yannis Hamilakis, University of Southampton, UK * An original and timely contribution to the growing literature on issues of visuality, poetics, affect and the changing place of the image in archaeological knowledge production. -- Colin Sterling * author of Heritage, Photography and the Affective Past * Author InformationLesley McFadyen is Lecturer in Archaeology, Birkbeck, University of London. She has published on a broad range of topics relating to the archaeology of time, architecture and geography in relation to European prehistory. She is the editor of The Prehistory of France (CUP in preparation, edited with Cyril Marcigny).Dan Hicks MCIfA, FSA is Professor of Contemporary Archaeology, School of Archaeology and Pitt Rivers Museum, University of Oxford, and a Fellow of St Cross College, Oxford. He has published widely in Archaeology, Anthropology and Museum Studies, specialising in historical archaeology and the history of archaeology, and is the editor of The Cambridge Companion to Historical Archaeology (CUP 2006, with Mary Beaudry) and The Oxford Handbook of Material Culture Studies (OUP 2010, with Mary Beaudry). With historian William Whyte, Dan is also General Editor of a six-volume series A Cultural History of Objects for Bloomsbury. Tab Content 6Author Website:Countries AvailableAll regions |
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