Overview

​This collection of essays in Archaeologies of Mobility and Movement draws inspiration from current archaeological interest in the movement of individuals, things, and ideas in the recent past. Movement is fundamentally concerned with the relationship(s) among time, object, person, and space. The volume argues that understanding movement in the past requires a shift away from traditional, fieldwork-based archaeological ontologies towards fluid, trajectory-based studies. Archaeology, by its very nature, locates objects frozen in space (literally in their three-dimensional matrices) at sites that are often stripped of people. An archaeology of movement must break away from this stasis and cut new pathways that trace the boundary-crossing contextuality inherent in object/person mobility.                 Essays in this volume build on these new approaches, confronting issues of movement from a variety of perspectives. They are divided into four sections, based on how the act of moving is framed. The groups into which these chapters are placed are not meant to be unyielding or definitive. The first section, ""Objects in Motion,"" includes case studies that follow the paths of material culture and its interactions with groups of people. The second section of this volume, ""People in Motion,"" features chapters that explore the shifting material traces of human mobility. Chapters in the third section of this book, ""Movement through Spaces,"" illustrate the effects that particular spaces have on the people and objects who pass through them. Finally, there is an afterward that cohesively addresses the issue of studying movement in the recent past. At the heart of Archaeologies of Mobility and Movement is a concern with the hybridity of people and things, affordances of objects and spaces, contemporary heritage issues, and the effects of movement onarchaeological subjects in the recent and contemporary past.

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9781461462101

Table of Contents

Reviews

From the reviews: The volume covers a wide range of topics, temporalities and geographical extents, from Austrian fifteenth century pocket sundials to the modern ruins of the AIR studios on the Caribbean island of Montserrat. ... This volume is also a useful addition to the corpora of movement studies in archaeology in that it extends the reach of this research to the recent past. ... it is a well-produced volume with a good number of quality illustrations. It will serve the interests of historical archaeologists well ... . (Alice J. Rogers, Archaeological Review from Cambridge, Vol. 28 (2), 2013)

From the reviews: The volume covers a wide range of topics, temporalities and geographical extents, from Austrian fifteenth century pocket sundials to the modern ruins of the AIR studios on the Caribbean island of Montserrat. ... This volume is also a useful addition to the corpora of movement studies in archaeology in that it extends the reach of this research to the recent past. ... it is a well-produced volume with a good number of quality illustrations. It will serve the interests of historical archaeologists well ... . (Alice J. Rogers, Archaeological Review from Cambridge, Vol. 28 (2), 2013)

Author Information

Mary C. Beaudry is Professor of Archaeology, Anthropology, and Gastronomy and Chair of the Department of Archaeology at Boston University. She is author of Findings: The Material Culture of Needlework and Sewing (Yale, 2006), co-author of “Living on the Boott”: Historical Archaeology of the Boott Mills Boardinghouses in Lowell, Massachusetts (University of Massachusetts, 1996), editor of Documentary Archaeology in the New World (Cambridge, 1988), co-editor with Dan Hicks of The Cambridge Companion to Historical Archaeology (Cambridge, 2006) and of The Oxford Handbook of Material Culture Studies (Oxford, 2010), co-editor with Anne Yentsch of The Art and Mystery of Historical Archaeology (CRC, 1992), and co-editor with James Symonds of Interpreting the Early Modern World: Transatlantic Perspectives (Springer, 2010). She has published numerous journal articles and book chapters and served for 15 years as editor of the journal Northeast Historical Archaeology. Travis G. Parno is a PhD candidate in Boston University's Department of Archaeology. He served on the CHAT conference committee and assisted in the planning and implementation of the conference. His dissertation looks to extend the temporal focus of household archaeology and explores intersections of place-making and heritage at the Fairbanks House in Dedham, MA. His previous publications include studies of archaeological photography (in Archaeologies: Journal of the World Archaeological Congress), three-dimensional digital modeling (in Society of Post-Medieval Archaeology), Catholic material culture at James Fort, VA (in Historical Archaeologies of Cognition), and contemporary graffiti in Bristol, UK (in Wild Signs: Inscribing Society).

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