Full Product Details
Author: Jonathan Gilmore (Associate Professor of Philosophy, Associate Professor of Philosophy, CUNY)
Publisher: Oxford University Press Inc
Imprint: Oxford University Press Inc
Dimensions:
Width: 23.60cm
, Height: 2.50cm
, Length: 15.50cm
Weight: 0.499kg
ISBN: 9780190096342
ISBN 10: 0190096349
Pages: 276
Publication Date: 22 April 2020
Audience:
Professional and scholarly
,
Professional & Vocational
Format: Hardback
Publisher's Status: Active
Availability: To order
Stock availability from the supplier is unknown. We will order it for you and ship this item to you once it is received by us.
Reviews
What you really want to know is, should you read this book? Yes, of course you should...The book is rewarding and engaging. -- Nicholas Wiltsher, The European Journal of Aesthetics Jonathan Gilmore's new book, Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind, is a treat: it is bold, compelling, and carefully argued. It makes important contributions to a variety of different debates in and around the philosophy of art, including the status of imagined or quasi-emotions, the (so-called) paradox of tragedy, the debate over artistic functions, and the problem of moral and aesthetic interaction. It is beautifully written, filled with vivid and apt examples from the arts and thoughtful application of results from the sciences. -- James Harold, The Journal of Aesthetics and Art Criticism
What you really want to know is, should you read this book? Yes, of course you should...The book is rewarding and engaging. * Nicholas Wiltsher, The European Journal of Aesthetics * Jonathan Gilmore's new book, Apt Imaginings: Feelings for Fictions and Other Creatures of the Mind, is a treat: it is bold, compelling, and carefully argued. It makes important contributions to a variety of different debates in and around the philosophy of art, including the status of imagined or quasi-emotions, the (so-called) paradox of tragedy, the debate over artistic functions, and the problem of moral and aesthetic interaction. It is beautifully written, filled with vivid and apt examples from the arts and thoughtful application of results from the sciences. * James Harold, The Journal of Aesthetics and Art Criticism *
Author Information
Jonathan Gilmore is a philosopher of art and art critic. He is Associate Professor of Philosophy at the CUNY Graduate Center and Baruch College. Prior to arriving at CUNY, he was Assistant Professor of Philosophy and Humanities at Yale University, and a Cotsen Postdoctoral Fellow in the Society of Fellows at Princeton University. A 2013-2014 National Endowment for the Humanities Fellow, he has published widely on the emotions, the imagination, philosophy of literature, philosophy of art history, freedom of expression, and twentieth-century European philosophy. His art criticism has appeared in such venues as Artforum, Art in America, ArtNews, Tema Celeste, Modern Painters, and several exhibition catalogues.
